A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
CINDERELLA (_wandering over her client with a tape_). 35—14. (_She
consults a paper on the table._) Yes, it’s 35—14.
(_She pulls him out, contracts him and takes his elbows
measure._)
28—7; 41—12; 15—19. (_There is something wrong, and she has to
justify her handiwork._) You was longer when you came on Monday.
GENTLEMAN (_very moved by the importance of the occasion_). Don’t
be saying that, Missy.
CINDERELLA (_pinning up the tails of his coat_). Keep still.
GENTLEMAN (_with unexpected spirit_). I warns you, Missy, I won’t
have it cut.
CINDERELLA (_an artist_). I’ll give you the bits.
GENTLEMAN. I prefers to wear them.
(_She compares the coat with the picture of an elegant dummy._)
Were you going to make me like that picture?
CINDERELLA. I had just set my heart on copying this one. It’s the
Volupty.
GENTLEMAN (_faint-hearted_). I’m thinkin’ I couldn’t stand like
that man.
CINDERELLA (_eagerly_). Fine you could—with just a little practice.
I’ll let you see the effect.
(_She bends one of his knees, extends an arm and curves the
other till he looks like a graceful teapot. She puts his
stick in one hand and his hat in the other, and he is now
coquettishly saluting a lady._)
GENTLEMAN (_carried away as he looks at himself in a glass_). By
Gosh! Cut away, Missy!
CINDERELLA. I’ll need one more try-on. (_Suddenly._) That’s to say
if I’m here.
GENTLEMAN (_little understanding the poignancy of the remark_). If
it would be convenient to you to have the penny now—
CINDERELLA. No, not till I’ve earned it. It’s my rule. Good night
to you, Mr. Jennings.
GENTLEMAN. Good night, Missy.
(_We see him go out by the door and disappear up the street._)
CINDERELLA (_sharply_). Next.
(_An old woman comes to the table and_ CINDERELLA _politely
pretends not to have seen her sitting there_.)
It’s Mrs. Maloney!
MRS. M. Cinders, I have a pain. It’s like a jag of a needle down my
side.
CINDERELLA (_with a sinking, for she is secretly afraid of medical
cases_). Wait till I pop the therm-mo-mometer in. It’s a real one.
(_She says this with legitimate pride. She removes the instrument
from_ MRS. MALONEY’S _mouth after a prudent interval, and is not
certain what to do next._)
Take a deep breath.... Again.... Say 99. (_Her ear is against the
patient’s chest._)
MRS. M. 99.
CINDERELLA (_at a venture_). Oho!
MRS. M. It ain’t there the pain is—it’s down my side.
CINDERELLA (_firmly_). We never say 99 down there.
MRS. M. What’s wrong wi’ me?
CINDERELLA (_candidly_). I don’t want for to pretend, Mrs. Maloney,
that the 99 is any guidance to me. I can _not_ find out what it’s
for. I would make so bold as to call your complaint muscular
rheumatics if the pain came when you coughed. But you have no cough.
MRS. M. (_coming to close quarters_). No, but he has—my old man.
It’s him that has the pains, not me.
CINDERELLA (_hurt_). What for did you pretend it was you?
Public-domain text, read in full here on John Shaqi.
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