A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
CINDERELLA (_giving a pennyworth for nothing_). Kind friends, it
would be pretending of me not to let on that I know I am the party
referred to by the last speaker—in far too flattersome words. When
I look about me and see just four boxes I am a kind of shamed, but
it wasn’t very convenient to me to have more. I will now conclude
by saying I wish I was the old woman that lived in a shoe, and it
doesn’t matter how many I had I would have known fine what to do.
The end.
(_After further diversion._) It’s a fine party. I hope your potato
is mealy?
POLICEMAN. I never had a better tatie.
CINDERELLA. Don’t spare the skins.
POLICEMAN. But you’re eating nothing yourself.
CINDERELLA. I’m not hungry. And, of course, I’ll be expected to
take a bite at the ball.
(_This reminder of the ball spoils the_ POLICEMAN’S _enjoyment_.)
POLICEMAN. I wish—you wasn’t so sure of the ball.
GLADYS (_in defence_). Why shouldn’t she not be sure of it?
DELPHINE. Pourquoi, Monsieur?
CINDERELLA (_rather hotly_). Don’t say things like that here.
MARIE. Has Monsieur by chance seen God-mamma coming?
POLICEMAN. God-mamma?
CINDERELLA. That’s my Godmother; she brings my ball dress and a
carriage with four ponies.
GLADYS. Then away she goes to the ball—hooray—hooray!
CINDERELLA. It’s all perfectly simple once Godmother comes.
POLICEMAN (_with unconscious sarcasm_). I can see she’s important.
CINDERELLA (_with the dreadful sinking that comes to her at
times_). You think she’ll come, don’t you?
POLICEMAN. Cinderella, your hand’s burning—and in this cold room.
CINDERELLA. Say you think she’ll come.
POLICEMAN. I—well, I.... I....
GLADYS (_imploringly_). Say it, Mister!
DELPHINE (_begging_). Monsieur! Monsieur!
MARIE. If it is that you love me, Monsieur!
POLICEMAN (_in distress_). I question of there was ever before a
member of the Force in such a position. (_Yielding._) I expect
she’ll come.
(_This settles it in the opinion of the children, but their
eyes are too bright for such a late hour, and they are ordered
to bed. Our_ POLICEMAN _replaces them in their boxes_.)
CINDERELLA. One—two—three . . . couchy!
(_They disappear._)
POLICEMAN (_awkwardly and trying to hedge_). Of course this is an
out-of-the-way little street for a Godmother to find.
CINDERELLA. Yes, I’ve thought of that. I’d best go and hang about
outside; she would know me by my dress.
POLICEMAN (_hastily_). I wouldn’t do that. It’s a cold night. (_He
wanders about the room eyeing her sideways._) Balls is always late
things.
CINDERELLA. I’m none so sure. In war-time, you see, with the
streets so dark and the King so kind, it would be just like him to
begin early and close at ten instead of twelve. I must leave before
twelve. If I don’t, there’s terrible disasters happens.
POLICEMAN (_unable to follow this_). The ball might be put off
owing to the Prince of Wales being in France.
CINDERELLA. He catched the last boat. I’ll go out and watch.
Public-domain text, read in full here on John Shaqi.
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