A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
(_At the royal word ‘Go!’_ ALL _attack the ices with their
tongues, greedily but gracefully. They end in the approved
manner by gobbling up the sieves. It is especially charming
to see the last of_ LORD TIME’S _sieve unbend. The music
becomes irresistible. If you did not dance you would be
abandoned by your legs. It is as if a golden coin had
been dropped into a golden slot. Ranks are levelled. The_
KING _asks_ GLADYS _for this one; the_ QUEEN _is whisked
away by_ MR. BODIE. _Perhaps they dance like costers: if
you had time to reflect you might think it a scene in the
streets. It becomes too merry to last; couples are whirled
through the walls as if the floor itself were rotating:
soon_ CINDERELLA _and her_ PRINCE _dance alone. It is then
that the clock begins to strike twelve._ CINDERELLA _should
fly now, or woe befall her. Alas, she hears nothing save
the whispers of her lover. The hour has struck, and her
glorious gown shrinks slowly into the tattered frock of a
girl with a broom. Too late she huddles on the floor to
conceal the change. In another moment the_ PRINCE _must
see. The children gather round her with little cries, and,
spreading out their nightgowns to conceal her, rush her
from the scene. It is then that the_ PRINCE _discovers his
loss. In a frenzy he calls her sweet name. The bewildered
girl has even forgotten to drop the slipper, without
which he shall never find her._ MARIE-THERESE, _the
ever-vigilant, steals back with it, and leaves it on the
floor_.
_The ball-room is growing dark. The lamps have gone out.
There is no light save the tiniest glow, which has been
showing on the floor all the time, unregarded by us. It
seems to come from a policeman’s lantern. The gold is all
washed out by the odd streaks of white that come down like
rain. Soon the_ PRINCE’S _cry of_ ‘CINDERELLA, CINDERELLA’
_dies away. It is no longer a ball-room on which the
lantern sheds this feeble ray. It is the street outside_
CINDERELLA’S _door, a white street now, silent in snow. The
child in her rags, the policeman’s scarf still round her
precious feet, is asleep on the door step, very little life
left in her, very little oil left in the lantern._)
III
Public-domain text, read in full here on John Shaqi.
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