A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
PROBATIONER (_gaily_). Not I! Don’t want to; horrid little
explosives! But have you—has he—?
CINDERELLA (_becoming larger_). In my poor opinion, if it’s not a
love-letter, it’s a very near thing.
PROBATIONER. If I could see the darling little detestable?
CINDERELLA. Oh no, oh no, no, no, no! But I’ll tell you one thing
as is in it. This—‘There are thirty-four policemen sitting in this
room, but I would rather have you, my dear.’ What do you think?
That’s a fine bit at the end.
PROBATIONER (_sparkling_). Lovely! Go on, Cinderella, fling
reticence to the winds.
CINDERELLA (_doing so_). Unless I am—very far out—in my judgment of
men—that man is infatuate about me!
PROBATIONER (_clapping her hands_). The delicious scoundrel!
Cinderella, be merciless to him! Knife him, you dear! Give him
beans!
CINDERELLA (_gurgling_). I ill-treats him most terrible!
PROBATIONER. That’s the way! down with lovers, slit them to
ribbons, stamp on them.
CINDERELLA. Sometimes I—(_she sits up_). Listen!
PROBATIONER (_alarmed_). It isn’t Dr. Bodie, is it?
CINDERELLA. No, it’s _him_.
PROBATIONER. I don’t hear a sound.
CINDERELLA. I can hear him fanning his face with his helmet. He has
come in such a hurry. Nurse, you watch me being cruel to him.
PROBATIONER. At him, Cinderella, at him!
DANNY (_flinging open the door_). The Constabulary’s carriage stops
the way.
(_Our_ POLICEMAN _stalks in, wetting his lips as he does so_.)
PROBATIONER (_giving him her hand_). How do you do? You forget, I
daresay, that I met you when you were here last; but I remember
‘our policeman.’
(_He is bashful._)
There she is.
(_The wicked invalid is looking the other way._)
POLICEMAN. A visitor to see you, Jane.
CINDERELLA (_without looking round_). I thought it had a visitor’s
sound. (_She peeps at the_ PROBATIONER _gleefully_.)
POLICEMAN (_very wooden_). You don’t ask who it is, Jane?
CINDERELLA. I thought it might be that great big ridiculous
policeman.
(DANNY _laughs, and our_ POLICEMAN _gives him a very stern
look_.)
POLICEMAN (_after reflection_). I’m here again, Jane.
CINDERELLA (_admitting it with a glance_). Perhaps you didn’t ought
to come so often; it puts them about.
POLICEMAN (_cleverly_). But does it put you about, Jane?
CINDERELLA. Hey! Hey! (_With a cunning waggle of the hand she
intimates to the_ NURSE _that she may go_.)
DANNY (_who is not so easily got rid of_). You had best be going
too, Robert. The lady has answered you in the negative.
POLICEMAN (_lowering_). You make a move there.
(DANNY, _affecting alarm, follows the_ PROBATIONER.)
CINDERELLA. I like fine to hear you ordering the public about,
David.
POLICEMAN (_humbly_). I’m very pleased, Jane, if there’s any little
thing about me that gives you satisfaction.
(_He puts down a small parcel that he has brought in._)
CINDERELLA (_curious_). What’s in the parcel, David?
POLICEMAN. That remains to be seen. (_He stands staring at his
divinity._)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account