Grail -- Fiction; Knights and knighthood -- Fiction; Science fiction; Thieves -- Fiction; Time travel -- Fiction
Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net
Transcriber's Note:
This etext was produced from Analog Science Fact & Fiction July 1963.
Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed.
A Knyght Ther Was
_But the Knyght was a little less than Perfect, and his
horse did not have a metabolism, and his "castle" was much
more mobile--timewise!--than it had any business being!_
by Robert F. Young
_Illustrated by Leo Summers_
_A Knyght ther was, and that a worthy man,
That fro the tyme that he first bigan
To ryden out, he loved chivalrye,
Trouthe and honour, fredom and curteisye_
--THE CANTERBURY TALES
* * * * *
I
Mallory, who among other things was a time-thief, re-materialized the
time-space boat _Yore_ in the eastern section of a secluded valley in
ancient Britain and typed CASTLE, EARLY SIXTH-CENTURY on the
lumillusion panel. Then he stepped over to the control-room telewindow
and studied the three-dimensional screen. The hour was 8:00 p.m.; the
season, summer; the Year 542 A.D.
Darkness was on hand, but there was a full moon rising and he could
see trees not far away--oaks and beeches, mostly. Roving the eye of
the camera, he saw more trees of the same species. The "castle of
Yore" was safely ensconced in a forest. Satisfied, he turned away.
If his calculations were correct, the castle of Carbonek stood in the
next valley to the south, and on a silver table in a chamber of the
castle stood the object of his quest.
_If_ his calculations were correct.
Mallory was not one to keep himself in suspense. Stepping into the
supply room, he stripped down to his undergarments and proceeded to
get into the custom-built suit of armor which he had purchased
expressly for the operation. Fortunately, while duplication of early
sixth-century design had been mandatory, there had been no need to
duplicate early sixth-century materials, and sollerets, spurs,
greaves, cuisses, breastplate, pauldrons, gorget, arm-coverings,
gauntlets, helmet, and chain-mail vest had all been fashioned of
light-weight alloys that lent ten times as much protection at ten
times less poundage. The helmet was his particular pride and joy: in
keeping with the period-piece after which it had been patterned, it
looked like an upside-down metal wastepaper basket, but the one-way
transparency of the special alloy that had gone into its construction
gave him unrestricted vision, while two inbuilt audio-amplifiers
performed a corresponding service for his hearing.
Public-domain text, read in full here on John Shaqi.
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