Dime novels; Mystery fiction; Villages -- England -- Fiction; Young women -- Fiction
“Well,” replied Rudolph, “I want to know what sort of dream you will
have.”
He had to admire the courage she showed in undertaking a task which
was, as she expressed it, “rather shuddery,” but when he left her at
the gate of “The Towers” she was still steadfast in her intention.
It was not until after dinner that evening that Mrs. Dale introduced
the young girl to the apartment she was to occupy that night. Mabin
was astonished at its dinginess, its gloominess, contrasting so
strongly as they did with the fresh prettiness of the room which had
been prepared for herself.
It was a large square room, with a mouldy old-fashioned wall-paper, on
which unnatural pink roses climbed up a succession of thin hop poles.
The pictures were groups of trees, done with the pencil in the woolly
early Victorian manner, and stiff bouquets, in water-color, of
conventional early Victorian flowers. The bed, which was hung with
green curtains, occupied an undue space; and Mabin felt that, in the
weird circumstances of her tenancy of the room, she would have died
rather than sleep in that funereal erection.
When Mrs. Dale had kissed her and bade her good-night, after receiving
Mabin’s assurance that she did not feel in the least nervous, the
young girl felt a strong inclination to follow her friend out of the
room, and to implore her to find her some other sleeping-place.
By a valiant effort, however, she conquered this weakness, and made a
careful survey of her surroundings. In the first place, the windows
and their fastenings had to be examined. They were carefully secured,
and were both so high above the ground that it would have been
impossible for an intruder to reach them without a ladder.
There were three doors; and at first Mabin was inclined to regard this
as a disquieting circumstance. But on finding that two of them were
unused, locked, and without a key, and that there was a bolt on the
door by which she had entered, she began to feel more at ease.
Exchanging her frock for a dressing-gown, and providing herself with a
book, she placed herself in an arm-chair which stood near the
fireplace, which, although shabby, was sufficiently comfortable, and,
putting her candles on a small table beside her, settled herself to
read. Her book was a novel of an excellent type, not too clever to be
charming, not so commonplace as to be dull. Much to her own surprise,
she got interested, and forgot, or almost forgot, the vague fears
which kept her in the arm-chair instead of in bed.
She was in the very heart of the book, and her candles had burnt low
in their sockets, when a sound, a very slight sound, behind her back,
caused the blood almost to freeze in her veins.
It was a soft, stealthy tread.
Looking round, half paralyzed with terror, she saw that the door was
ajar, and that creeping softly round toward the inside handle was the
long, thin hand of a man.
CHAPTER IX.
A PICTURE.
Public-domain text, read in full here on John Shaqi.
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