Dime novels; Mystery fiction; Villages -- England -- Fiction; Young women -- Fiction
This began to show a way out of the mystery; but it was by no means
cleared up. Was he the man who had taken her father’s house as “Mr.
Banks”? This seemed probable, and at any rate this could be easily
ascertained. If so, and if “Mr. Banks” was a madman, why was he
unattended by any keeper?
And what, “Mr. Banks” or no “Mr. Banks,” was the meaning of these
stealthy nocturnal visits? That they were so unexpected, so unwelcome,
as to be inconceivable on the part of Mrs. Dale, had been abundantly
proved by the fact that she had believed the visitor to be a vision of
her imagination only, and not a human being. For Mabin could not doubt
that the appearance which Mrs. Dale had taken for a horrible dream had
been in reality the living man she had just seen.
Who then could he be, and what could he want? Was the refined,
sensitive face, with its sad eyes and worn mouth, the mask and not the
index of the man?
The more Mabin thought, the clearer it seemed to grow to her that the
man was either a relation or a lover, who had gone out of his mind,
and whose insanity had taken this strange form of nocturnal
persecution.
But then, again, if he had been insane, would not Mrs. Dale have heard
of it? And was it not rather the act of a sane man than of a madman to
assume a name not his own in order to hide his identity from the woman
he meant to harass? Again, was the intruder the tenant of “Stone
House” at all?
Even of this she was not sure; and Mabin decided that this question
must be answered definitely before she could think herself on the road
to the discovery of the mystery.
In the mean time, the door of the room through which she had passed in
pursuit of the intruder being still open, she entered, and
instinctively looked round, to see if he had left any trace of his
presence.
She drew up the blind and let the daylight stream into the corners.
The room was like the rest of the house, shabby and furnished with
little taste. It had perhaps been a study or a school-room, for in
front of the one window there was a large leather-covered
writing-table, much splashed with ink. The rest of the furniture
consisted of a couple of small ottomans and half a dozen chairs, all
covered with green rep, and trimmed with green worsted fringe, and of
a mahogany bookcase which stood near the door.
Mabin, with one glance round, had satisfied herself that nothing in
the room betrayed the recent presence of an intruder, when her
attention was suddenly arrested by a picture on the wall to her left.
It was a portrait in oils of a man, very young, very handsome, and
bearing, as she saw at once, a great resemblance to the man she had
seen a quarter of an hour before escaping from the house.
Public-domain text, read in full here on John Shaqi.
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