American fiction -- 19th century; Manners and customs -- Fiction
"I expect you to show the same courage that I am showing. I never said I
loved you. I never deceived you in that. I said I would be your wife. So
I will, faithfully. I haven't so much heart as you think; and yet, too,
I have a great deal more. I am incapable of more than one
deception.--Mercy! didn't you see it? didn't you know it? see that I saw
it? know that I knew it? It was diamond cut diamond. You deceived me; I
deceived you. Now that your deception ceases, mine ceases. Now we are
free, with our hundred thousand a year! Excuse me, but it sometimes
comes across me! Now we can be good and honest and true. It was all a
make-believe virtue before."
"So you read that thing?" I asked: actually--strange as it may seem--for
something to say.
"Yes, while you were ill. It was lying with your pen in it, on the
table. I read it because I suspected. Otherwise I shouldn't have done
so."
"It was the act of a false woman," said I.
"A false woman? No,--simply of a woman. I am a woman, sir." And she
began to smile. "Come, _you_ be a man!"
II
POOR RICHARD
A STORY IN THREE PARTS
PART I
Miss Whittaker's garden covered a couple of acres, behind and beside her
house, and at its farther extremity was bounded by a narrow meadow,
which in turn was bordered by the old, disused towing-path beside the
river, at this point a slow and shallow stream. Its low, flat banks were
unadorned with rocks or trees, and a towing-path is not in itself a
romantic promenade. Nevertheless, here sauntered bareheaded, on a
certain spring evening, the mistress of the acres just mentioned and
many more beside, in sentimental converse with an impassioned and
beautiful youth.
She herself had been positively plain, but for the frequent recurrence
of a magnificent broad smile,--which imparted loveliness to her somewhat
plebeian features,--and (in another degree) for the elegance of her
dress, which expressed one of the later stages of mourning, and was of
that voluminous abundance proper to women who are massive in person, and
rich besides. Her companion's good looks, for very good they were, in
spite of several defects, were set off by a shabby suit, as carelessly
worn as it was inartistically cut. His manner, as he walked and talked,
was that of a nervous, passionate man, wrought almost to desperation;
while her own was that of a person self-composed to generous attention.
A brief silence, however, had at last fallen upon them. Miss Whittaker
strolled along quietly, looking at the slow-mounting moon, and the young
man gazed on the ground, swinging his stick. Finally, with a heavy blow,
he brought it to earth.
"O Gertrude!" he cried, "I despise myself."
"That's very foolish," said Gertrude.
"And, Gertrude, I adore you."
"That's more foolish still," said Gertrude, with her eyes still on the
moon. And then, suddenly and somewhat impatiently transferring them to
her companion's face, "Richard," she asked, "what do you mean when you
say you adore me?"
Public-domain text, read in full here on John Shaqi.
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