American fiction -- 19th century; Manners and customs -- Fiction
"Confess it? Richard Clare, how dare you use such language? I'm in no
humor for a scene. Let me pass."
Gertrude was angry; but as for Richard, it may almost be said that he
was mad. "One scene a day is enough, I suppose," he cried. "What are
these tears about? Wouldn't he have you? Did he refuse you, as you
refused me? Poor Gertrude!"
Gertrude looked at him a moment with concentrated scorn. "You fool!" she
said, for all answer. She pushed his hand from the latch, flung open the
door, and moved rapidly away.
Left alone, Richard sank down on a sofa and covered his face with his
hands. It burned them, but he sat motionless, repeating to himself,
mechanically, as if to avert thought, "You fool! you fool!" At last he
got up and made his way out.
It seemed to Gertrude, for several hours after this scene, that she had
at this juncture a strong case against Fortune. It is not our purpose to
repeat the words which she had exchanged with Captain Severn. They had
come within a single step of an _éclaircissement_, and when but another
movement would have flooded their souls with light, some malignant
influence had seized them by the throats. Had they too much pride?--too
little imagination? We must content ourselves with this hypothesis.
Severn, then, had walked mechanically across the yard, saying to
himself, "She belongs to another"; and adding, as he saw Richard, "and
such another." Gertrude had stood at her window, repeating, under her
breath, "He belongs to himself, himself alone." And as if this was not
enough, when misconceived, slighted, wounded, she had faced about to her
old, passionless, dutiful past, there on the path of retreat to this
asylum Richard Clare had arisen to forewarn her that she should find no
peace even at home. There was something in the violent impertinence of
his appearance at this moment which gave her a dreadful feeling that
fate was against her. More than this. There entered into her emotions a
certain minute particle of awe of the man whose passion was so
uncompromising. She felt that it was out of place any longer to pity
him. He was the slave of his passion; but his passion was strong. In her
reaction against the splendid civility of Severn's silence, (the real
antithesis of which would have been simply the perfect courtesy of
explicit devotion,) she found herself touching with pleasure on the fact
of Richard's brutality. He at least had ventured to insult her. He had
loved her enough to forget himself. He had dared to make himself odious
in her eyes, because he had cast away his sanity. What cared he for the
impression he made? He cared only for the impression he received. The
violence of this reaction, however, was the measure of its duration. It
was impossible that she should walk backward so fast without stumbling.
Brought to her senses by this accident, she became aware that her
judgment was missing. She smiled to herself as she reflected that it had
been taking holiday for a whole afternoon.
Public-domain text, read in full here on John Shaqi.
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