Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
As this remark called for no reply from Miss De Stancy, she took
advantage of an opportunity to leave him alone, first repeating her
permission to him to wander where he would. He walked about for some
time, sketch-book in hand, but was conscious that his interest did not
lie much in the architecture. In passing along the corridor of an
upper floor he observed an open door, through which was visible a room
containing one of the finest Renaissance cabinets he had ever seen. It
was impossible, on close examination, to do justice to it in a hasty
sketch; it would be necessary to measure every line if he would bring
away anything of utility to him as a designer. Deciding to reserve this
gem for another opportunity he cast his eyes round the room and blushed
a little. Without knowing it he had intruded into the absent Miss
Paula’s own particular set of chambers, including a boudoir and sleeping
apartment. On the tables of the sitting-room were most of the popular
papers and periodicals that he knew, not only English, but from Paris,
Italy, and America. Satirical prints, though they did not unduly
preponderate, were not wanting. Besides these there were books from a
London circulating library, paper-covered light literature in French and
choice Italian, and the latest monthly reviews; while between the two
windows stood the telegraph apparatus whose wire had been the means of
bringing him hither.
These things, ensconced amid so much of the old and hoary, were as if
a stray hour from the nineteenth century had wandered like a butterfly
into the thirteenth, and lost itself there.
The door between this ante-chamber and the sleeping-room stood open.
Without venturing to cross the threshold, for he felt that he would be
abusing hospitality to go so far, Somerset looked in for a moment. It
was a pretty place, and seemed to have been hastily fitted up. In a
corner, overhung by a blue and white canopy of silk, was a little cot,
hardly large enough to impress the character of bedroom upon the old
place. Upon a counterpane lay a parasol and a silk neckerchief. On the
other side of the room was a tall mirror of startling newness, draped
like the bedstead, in blue and white. Thrown at random upon the floor
was a pair of satin slippers that would have fitted Cinderella. A
dressing-gown lay across a settee; and opposite, upon a small easy-chair
in the same blue and white livery, were a Bible, the Baptist Magazine,
Wardlaw on Infant Baptism, Walford’s County Families, and the Court
Journal. On and over the mantelpiece were nicknacks of various
descriptions, and photographic portraits of the artistic, scientific,
and literary celebrities of the day.
A dressing-room lay beyond; but, becoming conscious that his study
of ancient architecture would hardly bear stretching further in that
direction, Mr. Somerset retreated to the outside, obliviously passing by
the gem of Renaissance that had led him in.
‘She affects blue,’ he was thinking. ‘Then she is fair.’
Public-domain text, read in full here on John Shaqi.
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