A Lear of the Steppes, etc.Turgenev, Ivan Sergeevich
General
A Lear of the Steppes, etc.
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
We turned into the courtyard, shut in by a fence; right opposite the
gate, rose an old tumbledown lodge, with a thatch roof, and steps up to
it, raised on posts. On one side stood another, rather newer, and with
a tiny attic; but it too was a ramshackly affair. ‘Here you may learn
a lesson again,’ observed Harlov; ‘see what a little manor-house our
fathers lived in; but now see what a mansion I have built myself.’ This
‘mansion’ was like a house of cards. Five or six dogs, one more ragged
and hideous than another, welcomed us with barking. ‘Sheep-dogs!’
observed Martin Petrovitch. ‘Pure-bred Crimeans! Sh, damned brutes!
I’ll come and strangle you one after another!’ On the steps of the new
building, there came out a young man, in a long full nankeen overall,
the husband of Martin Petrovitch’s elder daughter. Skipping quickly up
to the droshky, he respectfully supported his father-in-law under the
elbow as he got up, and even made as though he would hold the gigantic
feet, which the latter, bending his bulky person forward, lifted with a
sweeping movement across the seat; then he assisted me to dismount from
my horse.
‘Anna!’ cried Harlov, ‘Natalia Nikolaevna’s son has come to pay us a
visit; you must find some good cheer for him. But where’s Evlampia?’
(Anna was the name of the elder daughter, Evlampia of the younger.)
‘She’s not at home; she’s gone into the fields to get cornflowers,’
responded Anna, appearing at a little window near the door.
‘Is there any junket?’ queried Harlov.
‘Yes.’
‘And cream too?’
‘Yes.’
‘Well, set them on the table, and I’ll show the young gentleman my own
room meanwhile. This way, please, this way,’ he added, addressing me,
and beckoning with his forefinger. In his own house he treated me less
familiarly; as a host he felt obliged to be more formally respectful.
He led me along a corridor. ‘Here is where I abide,’ he observed,
stepping sideways over the threshold of a wide doorway, ‘this is my
room. Pray walk in!’
His room turned out to be a big unplastered apartment, almost empty;
on the walls, on nails driven in askew, hung two riding-whips, a
three-cornered hat, reddish with wear, a single-barrelled gun, a sabre,
a sort of curious horse-collar inlaid with metal plates, and the
picture representing a burning candle blown on by the winds. In one
corner stood a wooden settle covered with a particoloured rug. Hundreds
of flies swarmed thickly about the ceiling; yet the room was cool. But
there was a very strong smell of that peculiar odour of the forest
which always accompanied Martin Petrovitch.
‘Well, is it a nice room?’ Harlov questioned me.
‘Very nice.’
‘Look-ye, there hangs my Dutch horse-collar,’ Harlov went on, dropping
into his familiar tone again. ‘A splendid horse-collar! got it by
barter off a Jew. Just you look at it!’
‘It’s a good horse-collar.’
‘It’s most practical. And just sniff it … what leather!’ I smelt the
horse-collar. It smelt of rancid oil and nothing else.
Public-domain text, read in full here on John Shaqi.
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