England -- Description and travel; Wales -- Description and travel
Church clerks too, as a frequent rule, I have found very touchy if you
venture, however mildly, to differ with them about anything they may
have to say about their church. I shall not in a hurry forget the rare
trouble I got into with a more than usually intelligent clerk who was
showing me over his interesting old church. Now I had noticed in the
tiny town a small and cheap local handbook of the church for sale, so
I purchased this before going to inspect the building. I had it with
me as I went round the church accompanied by the clerk; I referred to
it now and again and found it fairly correct as far as my knowledge
went, but on one minor point of architecture I certainly thought the
author was manifestly wrong. In my innocence I pointed this out to the
clerk, with what I thought to be the quite harmless remark that "the
writer of this book does not know everything." My guide was up in arms
in a moment. "What do you mean?" queried he; "the book is absolutely
correct; I never, no never, heard any one question it before. It has
always given perfect satisfaction," and so forth and for some time. I
was fairly taken aback. Why all this rage about nothing? thought I, and
as I was thinking it out the clerk suddenly exclaimed, "Do you know who
wrote that book?" I confessed I did not. "Why, I did," said the clerk,
"I who have been here for over twenty long years, and there's not a
soul in the whole county knows as much about the church as I do; I know
every stone of it, and you have only been in it ten minutes. Now what
is ten minutes to twenty years' long study?" I had "put my hand in a
hornet's nest," as the saying has it, and I hardly remember to this
day how I smoothed matters over; indeed I am not sure if I actually
did, the clerk's feelings were wounded. I was truly sorry. I humbly
apologised, I even trebled my tip, trusting thus to appease him; in a
measure I did, but in a measure only, for he accepted it in an off-hand
manner as though he were doing me a favour; still he accepted it, upon
doing which he remarked, "You're a generous gentleman, that I will own,
but you really don't understand architecture; however," now in a tone
more of sorrow than anger, "it takes a lifetime of study, it do." I was
glad to get away from that clerk. Now I am careful when reading a book,
or when having read one, that I do not talk unawares to its author.
Yet I actually blundered again in a much similar way, though I hardly
think I was treated quite fairly that time. An artist friend took me
to look over a picture-gallery; he asked my opinion of the different
pictures as we passed along; my opinion was not worth much, but he
seemed pleased to have it, so I gave it quite freely. Of one picture I
exclaimed, as I felt bound to make some remarks, "Well, I don't think
much of that." "No more do I," said my friend, "for I painted it!" But
when I profusely apologised and tried to explain I meant something
Public-domain text, read in full here on John Shaqi.
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