England -- Description and travel; Wales -- Description and travel
On my return home I hunted in every likely book for any information
upon the Devil's doorway, but found no allusion to the subject. I
sought out several parsons, presuming that one of them would surely be
able to throw some light on the matter; but they all declared that they
had never heard of such a thing, so I began to think that the stranger
had made a fool of me, and that I was myself a fool to be so easily
taken in. Yet when I recalled the stranger's face, it had an honest
look; he seemed hardly a man to invent so poor a joke, and, provided it
was a joke, I failed to see the humour of it. Then one day afterwards,
when chatting with a learned antiquary, I suddenly remembered about
the Devil's door; so I mentioned the tale about it I had been told,
and he confirmed the truth of it. "Such doors in churches were quite
common, if not universal, long ago," he said; "they were always on the
north or Devil's side of the church, and may still be found in many
churches, though their purport has long been forgotten. I even remember
a certain parson who, only twenty odd years past, insisted on having
this door kept wide open during a christening, so as to afford a ready
escape for the Devil, who was supposed to be driven out of the child."
Curiously enough, after making so many vain inquiries on the subject, I
found friends to whom the former existence and use of the Devil's door
was quite well known.
Leaving the church I went down the village street to inspect the
ancient priest-house. This proved to be a long, low, half-timber
building; its roof was of stone slates, as most roofs of the period
were; the house has manifestly been restored at some recent time,
though carefully restored backwards, as far as I could judge, to the
intention of the original builder. Unfortunately my photograph, here
reproduced, gives no hint of the bloom of age that is upon it, or of
the subtle curves of the weather-bleached timber caused by the stress
of time. I have found in photographing many an ancient building,
unless its walls are actually broken and decayed away, how little the
photograph realises its antiquity. In my photograph of Boarstall Tower
(that we shall come to later on), in spite of the years the tower has
stood, and in spite of the battering of two sieges it has undergone,
the ancient structure, hoary with the antiquity of over five centuries,
looks almost as though the builder had but lately completed his work.
Public-domain text, read in full here on John Shaqi.
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