A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
impression is that Spalding took the first bursary. It may have been the
second or the third, for occasionally a careless inaccuracy might trip
up the best scholar, but by acclamation the first place was assigned to
Spalding. Indeed, in a general way, through the whole course of his
education he swept the first prizes before him. When he finished the
four years' curriculum of Marishal College, he attended a few classes in
the college of Edinburgh, where the instruction was of another
kind--less absolute teaching, but perhaps opportunities for ascending
into higher spheres of knowledge. It was a little to the surprise of his
companions that he was next found undergoing those "Divinity Hall"
exercises, which predicate ambition to be ordained for the Church of
Scotland, with the prospect, to begin with, of some moorland parish with
a manse on a windy hill and a sterile but extensive glebe, a vista lying
beyond of possible promotion to the ministry of some wealthy and
hospitable civic community. Spalding said little about his views while
he studied for the Church, and nothing about his reasons for changing
his course, as he did, after a few months of study in his usual
energetic fashion. He had apparently no quarrel either with institutions
or persons, stimulating him to change his design, and he ever spoke
respectfully of the established Church of Scotland.
From this episodical course of study he brought with him some valuable
additions to the large stores of secular learning at his command. He had
a powerful memory, and great facilities for mastering and simplifying
sciences as well as languages. He seemed to say to himself, like Bacon,
"I have taken all knowledge to be my province." With any of his friends
who strayed into eccentric by-paths of inquiry he was sarcastic--almost
intolerant, in denouncing their selection. Why abandon the great
literature--the great sciences and the great arts--which the noblest and
strongest intellects in all ages have combined to enrich and bring to
perfection? Master all that has been done in these, in the first place,
and then you may be permitted to take your devious course. In all the
departments of study he seemed to pass over the intermediate agencies,
to contemplate with something like worship the great leading spirits
whose intellectual stature raised them far above the mob. So in
literature, it was in Homer and Shakspeare that he delighted. In the
sciences connected with the analysis and the uses of intellect, he
looked to Aristotle, Hume, and Kant. In the exact sciences, to Galileo,
Tycho Brache and Newton, and so on. In art, he could admit the merits of
a Teniers, an Ostade, or a Morland, in accurately rendering nature, as
he would admit the merit of an ingenious toy. He could not but wonder at
the turbulent power of Rubens, but he was bitter on the purpose these
gifts were put to, in developing unsightly masses of flesh, and motions
and attitudes wanting alike in beauty and dignity. It was in Michel
Public-domain text, read in full here on John Shaqi.
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