A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
The papers in the Aberdeen Magazine were not all of the sombre cumbrous
kind. There was an infusion of fresh young blood, fired perhaps by the
influence of Wilson and Lockhart in Blackwood's Magazine, but seeking
original forms of its own. For the leader of this school, Spalding had
both esteem and admiration, but it was for far other merits than those
of the brisk unrestrained writer of fugitive literature. This was Joseph
Robertson, afterwards distinguished as an archæologist. He survived
Spalding eight years. No lines of study could well be in more opposite
directions than those of the two men who respected each other. While
Spalding revelled in all that was brightest and best in literature and
art, Robertson devoted himself to the development of our knowledge about
the period when the higher arts--those of the painter and the
sculptor--had been buried with the higher literature, and the classic
languages had degenerated, in the hands of those who, as Du Cange, whose
ample pages were often turned by Robertson, called them, were
"Scriptores mediæ et infimæ Latinitatis." The source of Spalding's
admiration was that Robertson's writing was perfect of its kind, and led
to important and conclusive results. It was in this spirit that he
wrote his own "Letter." It did not fulfil a high aspiration, but it must
be perfect; and it was surely a moment of supreme happiness to him, when
he found the unknown author sought for and praised by so cautious and
reserved a critic as Hallam.
The "Letter" was published in 1833. It is characteristic of its author's
distaste of loud applause, that whenever this, his first achievement in
letters, saw the light, he fled, as it were, from the knowledge of what
was said of it, and wandered for several months in Italy and Germany.
This was an era in his life, for it gave him the opportunity of seeing
face to face, and profoundly studying, the great works of art that had
hitherto only been imaged in his dreams from copies and engravings. He
at the same time studied--or rather enjoyed--nature. In his native north
he had been accustomed to ramble among the Grampians at the head of the
Dee, where the precipices are from 1500 to 2000 feet high, and snow lies
all the year round. In these rambles he encountered hardships such as
one would hardly have thought within the capacity of his delicate frame.
He took the same method of enjoyable travelling in the Apennines--that
of the Pedestrian.
Public-domain text, read in full here on John Shaqi.
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