A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
fragments the perfected literature of Christian Europe has been erected,
knowledge (I am uttering no paradox) was of vast extent; it embraced
many different ages and many distant regions: but it was also
universally imperfect; much was known in part, but nothing wholly.
[Sidenote: So it invested History with incongruous attributes.] Hence
proceeded the specific difference of that widely-spread form of poetical
invention, namely, the super-abundance and incongruity of attributes
with which [70:1]it invested historical truth; and it is not very
difficult to discover why many of those attributes have never thoroughly
amalgamated with the principal mass. The various sources from which the
materials of the romantic poetry were drawn, present themselves at once
to every mind. [Sidenote: Early modern poets invented a national and
original literature,] By the peculiar state of their knowledge, and the
rude activity of spirit which was its consequence, the early poets of
modern Europe were prepared to invent a species of literature which
should be strictly national in its subjects, and in its essential parts
wholly original. That new branch was exposed, however, to modifications
of various kinds. One temptation to introduce foreign elements, by which
its authors were assailed, was singularly strong, and can scarcely in
any other instance have operated on a literature arising in
circumstances otherwise so favourable to originality, as those in which
they were placed. [Sidenote: but, knowing classics badly,] That
temptation was offered by the imperfect acquaintance with the classical
authors which formed one part of their scattered and ill-reconciled
knowledge. [Sidenote: grafted on their own works excrescences from
classical literature,] They were influenced by this cause, as they could
not have failed to be; and the representations of feelings, habits, and
thought, which they borrowed from this source, being in their nature
dissimilar to the constituent parts of the system to which they were
adjected, never could have harmonised with these, and, under any
circumstances, must have always continued to be excrescences. Other
elements of the new system were naturally neither evil in themselves,
nor inconsistent with the principles with which it was attempted to
combine them, but have assumed the aspect of deformity and incongruity
solely from incidental and extraneous causes. [Sidenote: and on History,
fictions and mistakes.] The fictions and mistakes which the ignorance of
those fathers of our modern poetical learning superinduced on history
ancient and modern, and on every thing which related to the then
existing state either of the material world or of human society, were
allowable ornaments, so long as knowledge afterwards acquired did not
stamp on them the brand of falsehood; but the moment that the falsity
was exposed, and the charm of possible existence broken, those adjuncts
lost their empire over the imagination, and with it their appearance of
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