A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
The king descended from his throne and advanced to meet the _cortége_.
“Sire,” said the Prince de Joinville, “I present to you the body of
Napoleon, which, in accordance with your commands, I have brought back
to France.”
“I receive it in the name of France,” replied Louis Philippe.
Such at least is what the “Moniteur” affirms was said, but the
“Moniteur” is an official journal whose business is, not to tell what
really happens, but what the government would prefer to have happen. The
Prince de Joinville gives a different version: “The king received the
body at the entrance to the nave, and there rather a comical scene took
place. It appears that a little speech which I was to have delivered
when I met my father, and also the answer he was to give me, had been
drawn up in council, only the authorities had omitted to inform me
concerning it. So when I arrived I simply saluted with my sword, and
then stood aside. I saw, indeed, that this silent salute, followed by
retreat, had thrown something out; but my father after a moment’s
hesitation, improvised some appropriate sentence, and the matter was
arranged in the ‘Moniteur.’”
Beside the king stood an officer, bearing a cushion; on it lay the sword
of Austerlitz. Marshal Soult handed it to the king, who, turning to
Bertrand, said:
“General, I commission you to place the emperor’s glorious sword on the
bier.”
And Bertrand, trembling with emotion, laid the sword reverently on his
idol’s coffin. The great company watched the scene in deepest silence.
The only sound which broke the stillness was the half-stifled sobs of
the gray-haired soldiers of the Invalides, who stood in places of honor
near the catafalque.
The king and the procession returned to their places, and then followed
a majestic funeral mass. The _Requiem_ of Mozart, as rendered that day
by all the great singers of Paris, is one of the historic musical
performances of France. The archbishop then sprinkled the coffin with
holy water, the king taking the brush from him for the same sacred duty.
The funeral was over. Napoleon lay at last “on the banks of the Seine,
among the people whom he had so loved.” For eight days after the
ceremony the church remained open to the public, and in spite of the
terrible cold thousands stood from morning until night waiting patiently
their turn to enter. After hours of waiting, they frequently were sent
away, only to come back earlier the next day. In this company were
numbers of veterans of the imperial army who had made the journey to
Paris from distant parts of the kingdom. In the delegation from Belgium
were many who had walked part of the way, not being able to pay full
coach fare.
Public-domain text, read in full here on John Shaqi.
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