A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
By Gros. This drawing, which I discovered among the portfolios of the
Louvre, is one of the most precious documents of Napoleonic
portraiture. It was the gift of Monsieur Delestre, the pupil and
biographer of Gros. In this clear profile we see already all that
_characteristic expression_ sought for by Gros above everything, and
superbly rendered by him soon after in the portrait of _Bonaparte at
Arcola_. I imagine that this pen sketch was preparatory to a
finished portrait.—A. D.]
The first use Bonaparte made of his power after he was appointed
general-in-chief of the Army of the Interior, was for his family and
friends. Fifty or sixty thousand francs, _assignats_, and dresses go to
his mother and sisters; Joseph is to have a consulship; “a roof, a
table, and carriage” are at his disposal in Paris; Louis is made a
lieutenant and his aide-de-camp; Lucien, commissioner of war; Junot and
Marmont are put on his staff. He forgets nobody. The very day after the
13th Vendémiaire, when his cares and excitements were numerous and
intense, he was at the Permons, where Monsieur Permon had just died. “He
was like a son, a brother.” This relation he soon tried to change,
seeking to marry the beautiful widow Permon. When she laughed merrily at
the idea, for she was many years his senior, he replied that the age of
his wife was a matter of indifference to him so long as she did not
_look over thirty_.
The change in Bonaparte himself was great. Up to this time he had gone
about Paris “in an awkward and ungainly manner, with a shabby round hat
thrust down over his eyes, and with curls (known at that time as
_oreilles des chiens_) badly powdered and badly combed, and falling over
the collar of the iron-gray coat which has since become so celebrated;
his hands, long, thin, and black, without gloves, because, he said, they
were an unnecessary expense; wearing ill-made and ill-cleaned boots.”
The majority of people saw in him only what Monsieur de Pontécoulant,
who took him into the War Office, had seen at their first interview; “A
young man with a wan and livid complexion, bowed shoulders, and a weak
and sickly appearance.”
But now, installed in an elegant _hôtel_, driving his own carriage,
careful of his person, received in every _salon_ where he cared to go,
the young general-in-chief is a changed man. Success has had much to do
with this; love has perhaps had more.
CHAPTER IV
NAPOLEON’S COURTSHIP AND MARRIAGE—HIS DEVOTION TO JOSEPHINE
Public-domain text, read in full here on John Shaqi.
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