A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
Among the women whom he met in the _salon_ of Madame Tallien and at
Barras’s own house, was the Viscountess de Beauharnais (_née_ Tascher de
la Pagerie), widow of the Marquis de Beauharnais, guillotined on the 5th
Thermidor, 1794. At the time of the marquis’s death his wife was a
prisoner. She was released soon after and had become a intimate friend
of Madame Tallien. All Madame Tallien’s circle had, indeed, become
attached to Josephine de Beauharnais, and with Barras she was on terms
of intimacy which led to a great amount of gossip. Without fortune,
having two children to support, still trembling at the memory of her
imprisonment, indolent and vain, it is not remarkable that Josephine
yielded to the pleasures of the society which had saved her from prison
and which now opened its arms to her, nor that she accepted the
protection of the powerful Director Barras. She was certainly one of the
regular _habitués_ of his house, and every week kept court for him at
her little home at Croissy, a few miles from Paris. The Baron Pasquier,
afterwards one of the members of Napoleon’s Council of State, was at
that moment living in poverty at Croissy—and was a neighbor of
Josephine. In his “Memoirs” he has left a paragraph on the gay little
outings taken there by Barras and his friends.
“Her house was next to ours,” says Pasquier. “She did not come out often
at that time, rarely more than once a week, to receive Barras and the
troop which always followed him. From early in the morning we saw the
hampers coming. Then mounted _gendarmes_ began to circulate on the route
from Nanterre to Croissy, for the young Director came usually on
horseback.
“Madame de Beauharnais’s house had, as is often the case among creoles,
an appearance of luxury; but, the superfluous aside, the most necessary
things were lacking. Birds, game, rare fruits, were piled up in the
kitchen (this was the time of our greatest famine), and there was such a
want of stewing-pans, glasses, and plates, that they had to come and
borrow from our poor stock.”
There was much about Josephine de Beauharnais to win the favor of such a
man as Barras. A creole past the freshness of youth—Josephine was
thirty-two years old in 1795—she had a grace, a sweetness, a charm, that
made one forget that she was not beautiful, even when she was beside
such brilliant women as Madame Tallien and Madame Récamier. It was never
possible to surprise her in an attitude that was not graceful. She was
never ruffled or irritable. By nature she was perfection of ease and
repose. Artist enough to dress in clinging stuffs made simply, which
harmonized perfectly with her style, and skilful enough to use the arts
of the toilet to conceal defects which care and age had brought, the
Viscountess de Beauharnais was altogether one of the most fascinating
women in Madame Tallien’s circle.
[Illustration:
BONAPARTE, GENERAL OF THE ARMY IN ITALY.
Public-domain text, read in full here on John Shaqi.
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