A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
These scientists went out in every direction, pushing their
investigations up the Nile as far as Philoe, tracing the bed of the old
canal from Suez to the Nile, unearthing ancient monuments, making
collections of the flora and fauna, examining in detail the arts and
industries of the people. Everything, from the inscription on the
Rosetta Stone to the incubation of chickens, received their attention.
On the return of the expedition, their researches were published in a
magnificent work called “Description de l’Egypte.” The information
gathered by the French at this time gave a great impetus to the study of
Egyptology, and their investigations on the old Suez canal led directly
to the modern work.
The peaceful work of science and law-giving which Napoleon was
conducting in Egypt was interrupted by the news that the Porte had
declared war against France, and that two Turkish armies were on their
way to Egypt. In March he set off to Syria to meet the first.
[Illustration:
NAPOLEON AT THE BATTLE OF THE PYRAMIDS, JULY 21, 1798.
Engraved by Vallot in 1838, after painting by Gros (1810). The moment
chosen by the artist is that when Napoleon addressed to his soldiers
that short and famous harangue, “Soldiers, from the summit of these
Pyramids forty centuries look down upon you.” In the General’s
escort are Murat, his head bare and his sword clasped tightly; and
after him, in order, Duroc, Sulkowski, Berthier, Junot, and Eugène
de Beauharnais, then sub-lieutenant, all on horseback. On the right
are Rampon, Desaix, Bertrand, and Lasalle. This picture was ordered
for the Tuileries, and was exhibited first in 1810. Napoleon gave it
to one of his generals, and it did not reappear in Paris until 1832.
It is now in the gallery at Versailles. Gros regarded this picture
as his best work, and himself chose Vallot to engrave it.]
This Syrian expedition was a failure, ending in a retreat made horrible
not only by the enemy in the rear, but by pestilence and heat.
The disaster was a terrible disillusion for Napoleon. It ended his dream
of an Oriental realm for himself, of a kingdom embracing the whole
Mediterranean for France. “I missed my fortune at St. Jean d’Acre,” he
told his brother Lucien afterward; and again, “I think my imagination
died at St. Jean d’Acre.” The words are those of the man whose
discouragement at a failure was as profound as his hope at success was
high.
As Napoleon entered Egypt from Syria, he learned that the second Turkish
army was near the Bay of Aboukir. He turned against it and defeated it
completely. In the exchange of prisoners made after the battle, a bundle
of French papers fell into his hands. It was the first news he had had
for ten months from France, and sad news it was: Italy lost, an invasion
of Austrians and Russians threatening, the Directory discredited and
tottering.
Public-domain text, read in full here on John Shaqi.
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