A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French. — John Shaqi
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
“I fully acknowledge all your _protégé_ is worth; but it might easily
happen that, with all his intelligence, he would give me nothing but
fresh water, whilst with my good Gaudin I can always rely on having good
crown pieces.”
The famous Bank of France dates from this time. It was founded under
Napoleon’s personal direction, and he never ceased to watch over it
jealously.
Most important of all the financial measures was the reorganization of
the system of taxation. The First Consul insisted that the taxes must
meet the whole expense of the nation, save war, which must pay for
itself; and he so ordered affairs that never, after his administration
was fairly begun, was a deficit known or a loan made. This was done,
too, without the people feeling the burden of taxation. Indeed, that
burden was so much lighter under his administration that it had been
under the old _régime_, that peasant and workman, in most cases,
probably did not know they were being taxed.
[Illustration:
“BUONAPARTE.”
Fiesinger, engraver, after Guérin. Published “29 Vendémiaire, l’an
VII.” (1799). It is of this portrait that Taine writes: “Look now at
this portrait by Guérin, this lean body, these narrow shoulders in
their uniform creased by his brusque motions, this neck enveloped in
a high wrinkled cravat, these temples concealed by long hair falling
straight over them, nothing to be seen but the face; these hard
features made prominent by strong contrasts of light and shade;
these cheeks as hollow as the interior angle of the eye; these
prominent cheek-bones; this massive protruding chin; these curving,
mobile, attentive lips; these great, clear eyes deeply set under the
overarching eyebrows; this fixed, incomprehensible look, sharp as a
sword; these two straight wrinkles which cross the forehead from the
base of the nose like a furrow of continual anger and inflexible
will.”]
“Before 1789,” says Taine, “out of one hundred francs of net revenue,
the workman gave fourteen to his seignor, fourteen to the clergy,
fifty-three to the state, and kept only eighteen or nineteen for
himself. Since 1800, from one hundred francs income he pays nothing to
the seignor or the Church, and he pays to the state, the department, and
the commune but twenty-one francs, leaving seventy-nine in his pocket.”
And such was the method and care with which this system was
administered, that the state received more than twice as much as it had
before. The enormous sums which the police and tax-collectors had
appropriated now went to the state. Here is but one example of numbers
which show how minutely Napoleon guarded this part of the finances. It
is found in a letter to Fouché, the chief of police:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account