Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Often during the college vacations, when the house was filled with
merry young folk, Whitman would sit in the hall to catch the sounds
of their laughter, enhanced by a little distance; or from his corner,
leaning upon his stick, he would look on for hours together while they
danced. Spirits ran high on these occasions, and all the higher for his
smiling presence. He enjoyed everything, and not least the wholesome
incipient love-making which he was quick to notice, and encourage.
Often he was full of fun; and still, as in the old days, he sang gaily
as he splashed about in his bath, a delighted group of young people
listening on the landing without to the strains of "Old Jim Crow," some
Methodist hymn, or negro melody. At night, before retiring, he would
take a walk under the stars, sometimes alone, sometimes with his girl
friend, who could appreciate the companionableness of silence.
He was always perfectly frank, as well as perfectly courteous; if he
preferred solitude he said so; and if, when at table, his hostess
proposed to read aloud some long family letter, and asked him in an
aside whether he would like to hear it, he would smile and answer, No.
He came to see them usually in his familiar grey suit; but in winter he
wore one of heavier make, which was, however, provided with an overcoat
only; indoors, he then put on the knitted cardigan jacket seen in some
of his portraits. On one occasion, when some local literary people
were invited to meet him, he appeared unaccustomedly conscious of his
clothes. Uncomfortable at the absence of a coat, he tried the overcoat
for awhile; but becoming very hot before the dinner was done, he beat
a retreat into the hall; and there divesting himself of the burden,
returned in his ordinary comfortable dress. Such incidents admirably
illustrate his simple and homely ways.[654]
* * * * *
Henceforward, though records are multiplied, the movement of Whitman's
life is less and less affected by outer events, and becomes yearly more
private and elusive.
[Illustration: WHITMAN AT SIXTY-TWO]
There is little to record of 1883, save that shortly after his
sixty-fourth birthday there appeared the biographical study of Whitman
by his Canadian friend. Like the earlier and smaller sketch by John
Burroughs, Dr. Bucke's volume was revised and authenticated by the
poet, and is an invaluable record. Though fragmentary and far from
exhaustive, it is written by one of the very few who can be said to
have caught the real significance of the life and personality of the
author of _Leaves of Grass_. That he fully understood Whitman, neither
he nor his poet friend ever suggested; but then one must add that
Whitman always laughingly asserted he did not by any means understand
himself.[655]
As a result of the sales of the Philadelphia edition and the royalties
which they brought him, the old man was now enabled to carry a
long-cherished plan into execution.
Public-domain text, read in full here on John Shaqi.
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