Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
On March the 26th, 1884,[656] he left his brother's house, and
removed to a little two-story cottage on Mickle Street, near by.
Here he installed himself, at first with an elderly workman and his
wife, and afterwards under the more efficient _régime_ of Mrs. Mary
Davis, a buxom New Jersey widow of comfortable presence, who brought
into the house that homely atmosphere which Whitman had so long been
seeking.[657]
Downstairs, in the little front parlour, he carried on what remained
to him of his own publishing--the old autograph editions which he had
not entrusted to Mr. McKay; and over it, upstairs, was his bedroom,
which he liked to compare with a big ship's cabin. In the backyard were
lilacs, which he loved; and a shady tree stood in the side-walk in
front.
He found his little "shack," as he called it, pleasant and restful,
and his own. He was not much worried by the rasping church choir and
the bells, which jangled cruelly loud for such sensitive hearing
every Sunday; nor by the neighbourhood of a guano factory, which was
noticeable enough to the most ordinary nose.[658] Here his friends from
far and near were frequent visitors, Dr. Bucke, John Burroughs and
Peter Doyle among them; and in June came Edward Carpenter from England
on his second visit.[659]
* * * * *
Carpenter had now issued his slender green _Towards Democracy_, that
strange, prophetic, intimate book, so unlike all others, even the
_Leaves_ which it most resembles. It was seven years since the two men
had met, and the older had grown thinner and more weary-looking. He had
not been worsted in the long struggle with time and illness, but they
had left their mark upon his body.
The visitor renewed his first impressions of that complex
personality; felt again the wistful affection mingled with the
contradictiousobstinacy; recognised the same watchful caution and
keen perception, "a certain artfulness," and the old "wild hawk look"
of his untameable spirit; but, beneath all, the wonderful unfathomed
tenderness.
Whitman manifestly had his moods, "lumpishly immovable" at times, at
times deliberately inaccessible. He took a certain wilful pleasure
in denial, for the quality of "cussedness" was strong in him. And
his friends admired his magnificent "No," issuing from him naked and
unashamed, just as mere acquaintances dreaded it.
But in other moods he was all generosity, and you knew in him a man who
had given himself body, mind and spirit to Love, never contented to
give less than all.
Public-domain text, read in full here on John Shaqi.
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