Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Whitman's political poems suggest already that loosening of ties
which separated him a few years later from the main body of his
party; but in 1844, following the lead of advanced Democrats like
W. C. Bryant, he worked actively for Polk, the party candidate, who
became President.[78] We cannot too often remind ourselves that the
later Republicanism of the 'sixties was supported by men who had been
Free-soil Democrats as well as by certain of their Whig opponents.
Meanwhile, it was to the Radical wing of his party that young Whitman
belonged.
* * * * *
Though engaged in the political struggle, he was by no means absorbed
in it. His profession encouraged his natural interest in the affairs of
his country, but not in the political affairs alone. He shared in the
social functions of the city and its district. He frequented lectures
and races, churches and auction rooms, weddings and clam-bakes.[79] He
spent Saturday afternoons on the bare and then unfrequented sand ridge
of Coney Island, bathing, reading and declaiming aloud, uninterrupted
by a single one of the hundreds of thousands who now fill the island
with their more artificial holiday making and their noisier laughter.
In those days one did not require a costume to bathe on Coney Island
beach.
Nearer than Coney Island, Brooklyn Ferry was always one of his
favourite haunts.[80] Walt had always loved the boat as well as the
river; as a child he had seen the horses in the round-house give place
to the engine with its high "smoke-stack"; the captain and the hands
were old friends, and he never tired of watching the passengers. Who
does not feel the delight of such a ferry, the swing of the boat, the
windy gleam in the sky, the lights by day or night upon the water, the
sense of weariless and unceasing movement as of life itself? New York,
on its island, is richer than most cities in these river crossings,
which take you at once out of the closeness and cares of the streets
into the free broad roadways of wind and water, roadways which you
can scarcely traverse without some enlargement and liberation of the
city-pent soul in your breast.
And in the city itself he had a thousand interests;[81] he went
wherever people met together for any purpose; he had a critic's
free pass to the theatres and was often at the opera and circus,
he frequented the public libraries too, and the collections of
antiquities; but most of all he loved to read in the open book of
Broadway. Up and down that amazing torrent of humanity he would ride,
breasting its flood, upon the box-seat of one of the stages, beside
the driver. From time to time he would make himself useful by giving
change to the fares within, when he was not already too fully occupied
declaiming the great passages from his favourite poets into the ears of
his friend.
Public-domain text, read in full here on John Shaqi.
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