Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
If self-expression is the outcome of passion, its new incarnation has
some of the wonder which attends a birth. The most virile of poets
must here become as a woman; and the mystery which, for any mother,
enwraps her first-born, clings for his Muse about her slender child
by the great god of song. And when, as in the instance of this book
of Whitman's, the children of the Muse betray in every feature the
abandonment of the remote passion in which they were conceived, one
cannot oneself handle them without emotion.
Walt regarded the book with undisguised pride and satisfaction.
Mother-like, he eyed it as the future saviour of men. He saw it
prophetic and large with destiny for America. He was confident that the
public would be quick to recognise that quality in it for which they
had been so long half-consciously waiting. The people would read it
with a new delight, for surely it must be dynamic with the joy in which
it was written.
He often said in later years that _Leaves of Grass_ was an attempt to
put a happy man into literature.[163] Others may discuss the optimism
and the egoism of his pages, for of both qualities there is plenty in
them, but, after all, they are but secondary there. As to the qualities
themselves, we may hold contrary and even disparaging opinions of their
value, they will certainly at times repel us. But primarily these pages
portray the happy man, and a strong and happy personality has the
divine gift of attraction. Byron may dominate the whole of Europe for a
generation by the dark Satanic splendour of his pride; Carlyle may hold
us still by his fierce, lean passion for sincerity; but Whitman draws
us by the outshining of his joy.
Happiness is not less infectious than melancholy or zeal; and if it
is genuine it is at least equally beyond price. As far as it goes, it
seems to indicate that a man may be perfectly adjusted to this world
of circumstances, which to us appears so often contrary. A happy and
intelligent man of thirty-six, who has looked at life open-eyed, and
is neither handsome, rich nor famous is worthy of attention. There is
something half-divine about him; and we cannot but hope he may prove to
be prophetic of the race.
* * * * *
Some such thought must have been in Emerson's mind, when a few days
after the perusal of _Leaves of Grass_, he wrote his acknowledgment
to its unknown author.[164] The letter has been often quoted, but it
is so significant that I must quote it again. For no other literary
acknowledgment ever accorded to Whitman possesses anything like equal
interest or importance.
Public-domain text, read in full here on John Shaqi.
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