Opportunities for anything like sustained converse with Miss Hood,
Wilfrid found very few and far between; only once before the long talk
in the hollow had he been able to gratify his curiosity--perhaps
already some other feeling--in a dialogue of any intimacy. In a
situation such as this, delicacy prescribed a very rigid discretion;
Emily, moreover, was not facile of approach. Throughout the day she was
scarcely away from the children; of course he could and did often
exchange words with her in the presence of the twins, but he felt
himself held at a distance by a tact which was perfect; without undue
reserve, without a shadow of unrefined manoeuvring, Emily limited their
intercourse in precisely the way that Mr. Athel or Mrs. Rossall would
have deemed becoming. Then there were almost always guests at the house.
With prudent regard to the character of these visitors, Mrs. Rossall
chose opportunities for inviting the governess to the drawing-room
during the evening, but Emily was not wholly at her ease under such
conditions, and Wilfrid was withheld by only half-conscious motives from
talking with her at these times. He shrank from subjecting himself to
examination whilst encouraging her to speak on the subjects he would
naturally choose; he felt, too, that she desired him not to address her,
though this perception came to him in subtle ways of which he could
render to himself no account. For all this, their acquaintance, nay
their intimacy, grew. If ever eyes habitually expressed a
self-respecting frankness, if ever any were incapable of ignoble
artifice, they were Emily's; yet as time went on Wilfrid began to long
for the casual meeting with her glance for the mere reason that he felt
it as an exchange of words between her and himself. Thus it was that,
when at length the first real conversation came, it seemed the sequel of
many others, seemed so to both of them. They had divined each other;
speech did but put the seal of confirmation on knowledge gained by
mutual sympathy.
Public-domain text, read in full here on John Shaqi.
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