Eight years had changed Florence very little in outward appearance. She
was still pale, slender, graceful--languid in manner, slow in speech,
and given to the reading of French novels. But there were dark shades
beneath her velvety brown eyes, as if she suffered from ill-health. She
had taken to lying on a sofa a great deal; she did not visit much, and
she seldom allowed any festivity at the Hall. She remained in her
boudoir for the greater part of the day, with the rose-colored blinds
down, and the doors carefully closed and curtained to exclude any sound
of the outer world; and while she was up-stairs the General and his
niece Enid and the boy had the house to themselves, and enjoyed their
liberty extremely. In the afternoon Mrs. Vane would be found in her
drawing-room, ready for visitors; but she generally returned to her
boudoir for a rest before dinner, and steadily see her face against late
hours in the evening. Nobody knew what was the matter with her; some
people spoke vaguely of her "nerves," of the extreme delicacy and
sensitiveness of her organisation--some said that Beechfield did not
suit her, and others whispered that she had never been "quite right"
since her baby was born. At any rate, she was a semi-invalid; and she
did not seem to know what was the matter with her any more than did
other people. She sat in her luxurious lounging-chair, or lay on the
softest of sofas, day after day without complaint, always pale, silent,
graceful--an habitual smile, sweet and weary, upon her pinched lips, but
no smile in her eyes, where a fire sometimes glowed which seemed to be
burning her very life away.
One balmy September afternoon she had established herself rather earlier
than usual in the drawing-room. A bright little fire burned in the
polished steel grate--for Florence was always chilly--but the windows
were open; a faint breeze from the terrace swept into the room and moved
the lace curtains gently to and fro. The blinds were half drawn down, so
that the room was not very light; the shadowed perfumed atmosphere was
grateful after the brightness of the autumn afternoon.
Florence Vane sat in a low arm-chair near the fire. She had a small
table beside her, on which stood her dainty work-basket, half full of
colored silks, her embroidery patterns, a novel, a gold vinaigrette, and
a French fan. She had cushions at her back, a footstool for her feet, a
soft white shawl on her shoulders. It was very plain that she liked to
make herself comfortable. She wore a gown of pale blue silk embroidered
in silver--a most artistic garment, which suited her to perfection, and
which was as soft and luxurious as the rest of her surroundings. The
white cat which lay curled up on the rug at her feet could not have
looked more at her ease.
Public-domain text, read in full here on John Shaqi.
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