Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Such a ridiculous and vulgar incident would not
be worth so much description, but that, like other
things of the same sort, it led to serious
consequences. A storm occurred in what had hitherto
been a haven of domestic peace, and the Artist's
wife carried out her threat, this time, of a visit to
her Aunt Priscilla. That good lady, being a spinster
of very limited experience, but anxious to make it
seem a wide one, dwelt upon her knowledge of
mankind and its evil ways, and the hopelessness of
undivided possession thereof by womankind. She had
told her niece "what it was going to be," when she
first learned that Mr. Aiken was an Artist. She
repeated what she had said before, that Artists'
wives had no idea what was going on under their
eyes. If they had, Artists would very soon be
unprovided with the raw material of proper infidelity.
They would have no wives, and would go on like in
Paris. This tale is absolutely irresponsible for Miss
Priscilla's informants; it only reports her words.
Now, Mrs. Euphemia Aiken, in spite of a severe
ruction with her husband, had really not consciously
imputed to him any transgression of a serious nature
when--as that gentleman worded it--she "flounced
away" to her Aunt Priscilla with an angry report
of how Reginald had insulted her. She had much
too high an opinion of him to form, on her own
account, a mental version of his conduct, such as
the one her excellent Aunt jumped at, in pursuance
of the establishment of a vile moral character for
Artists and nephews-in-law generally, with a
concrete foundation in the case of an Artist-nephew--a
Centaur-like combination with a doubt which half
was which. But nothing is easier than to convince
any human creature that any other is twice, thrice,
four times as human as itself, in respect of what is
graceless or disgraceful--spot-stroke barred, of
course; meaning felony. So that after a long
interview with Aunt Priscilla, this foolish woman cried
herself to sleep, having accepted the good lady's
offered hospitality, and was next morning so
vigorously urged to do scriptural things in the way of
forgiveness and submission to her husband--so
Miltonic, in fact, did the prevailing atmosphere
become--that she naturally sat down and wrote a healthily
furious letter to him. The tale may surmise that
she offered him Sairah as a consolation for what it
knows she proposed--her own withdrawal to a
voluntary grass-widowhood. For she flatly refused
to return to her deserted hearth. And, indeed, the
poor lady may have felt that her home had been
soiled and desecrated. But it was not only her
Aunt's impudent claim to superior knowledge--she
was still Miss Priscilla Bax, and of irreproachable
character--that had influenced her, but the
recollection of Sairah. It would not have been half as
bad if it had been a distinguished young lady with
a swoop, like in a shiny journal she subscribed for
quarterly. But Sairah! That gurl! Visions of
Public-domain text, read in full here on John Shaqi.
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