Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
And then old Marta scowled from the steps below
the window, for was not this saucy young painter
bold enough to kiss the little hand her mistress let
him hold so long; and most likely she was ready
enough to guess that the poor boy had much ado
to be off kissing the lips that smiled on him as well.
But then, when the Maddalena saw through his
heart, and saw all this as plain as I tell it you now,
she flinched off with a little sigh, and a chill came.
For now, she said, they were grown-up people,
responsible and serious, and must behave! And
Marta Zan would not be cross; for look you, Marta
_cara_, was not this Giacinto, her foster-brother, and
had they not been rocked to sleep in the same
cradle? And had they not eaten the grapes of a
dozen vintages at her father's little castle in the
hills, and heard the dogs bark all across the plain
below in the summer nights?
So Marta, though she looked mighty glum over
it, kept her thoughts for her own use, with due
consideration how she might get most profit from
what she foresaw, and yet keep her footing firm
with her great Duke. She was a cunning old black
spot, was Marta, and quick to scheme her own
advantage, for all she was near seventy. But she
saw no reason for meddling to check her young
_Duchessa's_ free flow of spirits, and she invented a
good apology for letting her alone. _She_ was not
going to mar the portrait by making the sitter cry
and look sulky: red eyes and swelled cheeks were
no man's joy. So she told her employer. And
she thought to herself, see how content the old man
is, and how clever am I to hoodwink him so!
Be sure, though, that she did not know how he
was passing his time, more and more, in that little
chapel of knavery in the wall, but a few yards from
the two happy young folk, as they laughed and
talked over their old days. Only, in this you may
believe me, that never a word passed between
them--for all that so many came to the lips of both and
were disallowed--that might not have been spoken,
almost, in the presence of the gracious Duke
himself--nay, quite!--if he had not been so corrupt
and tainted an old curmudgeon that he would have
found a scutch on the leaf of a lily new-blown, and
read dishonour into innocence itself. So there he
sits in his evil eyrie, day by day, hatching false
interpretation of every word and movement, but
all silence and caution, for come what may he will
not spoil the portrait. It will be time enough
when it is quite done. Time enough for what?
We shall see. Meanwhile, as well to keep his eye
on them! Small trust to be placed in Marta Zan!
Public-domain text, read in full here on John Shaqi.
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