Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
When they were come to the end of the work I
could see that both were heavy at heart for the
parting that was to come; and I knew of myself
that Maddalena had slept little, and I knew, too, that
this was not because _sua Eccellenza_ the Duke snored
heavily all night, for had that been so, poor
Maddalena would have been ill off for sleep at the
best of times. No!--she had lain awake thinking
of Giacinto; and he of her, it may be. But what
do I know? I could see he was not happy: could
you expect it? And his hand shook, and he did
no good to me. And he would not touch my
face and hands with the colour, and I well knew why.
Therefore, when he had tried for a little and could
not work to any purpose, my lady _la Duchessa_ says,
as one who takes courage--for neither had yet
spoken of how they must part--"Come, my Giacinto,
let us be of better cheer, and not be so downcast.
For who knows but the good God may let
us meet again one happy day when His will is?
Let us be grateful for the little hour of our felicity,
and make no complaint now that it was not longer.
But you cannot work, my Giacinto, and are doing
no good to the beautiful picture. Leave it and come
and sit here by me, and we will talk of the old days,
the dear old time. And as for the old Marta, she is
sound asleep and snoring; only not so loud as my
old pig of a husband all last night!" Indeed, it was
true of old Marta, but for my own part I think she
was only pretending to be asleep, for my Maddalena
had talked to her of how this would be the last time,
and softened her, and given her ten Venetian ducats
and a cap of lace. But, for the snoring of the old
Duke, it had done some service; for the little joke
about it had made Maddalena speak more cheerfully,
and Giacinto could find a laugh for it, though he
had little heart to laugh out roundly at anything.
La Maddalena went near to make him, though!
For she talked of how thirteen little puppies all
came at once of three mothers, and she christened
them all after the Blessed Apostles and Judas
Iscariot, and every one was drowned or given away
except Judas Iscariot; and how she would hold
up Judas for Giacinto to kiss, saying he was a safe
Judas this time, as how could he be else with that
little fat stomach, and not a month old.
So I was finished, and Giacinto would have put
his signature in one corner had he not thought it
best to wait until _sua Eccellenza_ the Duke had seen
it, for who could say he would not have it altered?
Messer Angelo Allori had finished a portrait of _la
Principessa_ Gonzaga, and just as he was thinking
to sign it, what does her ladyship do but say she
would rather have been painted in her _camorra di
seta verde_; and thereat he had to paint out the old
dress and paint in the new, for none might say nay
to _la Principessa_. So that is how it comes that
this picture--that I am--is unsigned; and that
the Art Critics, for once, are not unanimous about
who was the author.
Public-domain text, read in full here on John Shaqi.
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