Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
After that I remember no more till two men came
to measure for the frame I now have on. They
came next day, accompanied by the old Marta, who
unlocked the door. But her little dog came with
them, too, and no sooner had he run once all round
the room, to see for cats or what might be else, than
he goes straightway to the blood-mark on the floor.
And so shrewd is he to guess what it is--remember,
he had gone away with Marta when all the riot came
about--that he looks round from one to the other
for explanation, and tries hard to speak, as a dog
does. Whereat each of the three also looks to the
other two, and makes believe the dog is gone mad,
to be making little compassionate whines and cries,
and then, going to each one in turn to tell of it,
touching them with his fore-paws, and then back
again to the blood. But none would give him a
good word, and as for la Marta, she must needs
slap him, to the best of her withered power, on his
clean-shaved body; which very like hurt but little,
but the poor dog cried out upon the injustice! For
he knew well this that he smelt was blood. As I
believe, so did the three of them; however, in that
household each knew that blood, anywhere, was best
not seen by whoever wished to keep his own in his
veins. So they took the measure for my frame,
and went their way. And presently, when they
have gone back, comes the old woman, but no dog,
and brings with her burnt wood-ash, such as the
fire leaves in the open grate, quite white and dry.
And she makes a heap on the blood-stain with it,
and water added, and goes away again and locks
the door without, as before. After which the sun
goes many times across the brick floor, stopping
always to look well upon the blood-spot; and the
night comes back, and I see a little sharp edge of
silver in the sky, beyond the window-grating, and I
remember that it was the new moon, in the days of
the old Castello; and I say to myself, now I shall
see it grow again, as it grew in those old days when
Giacinto watched it with me. And it grows to
be a half-moon before la Marta comes again and
gathers up the ashes, and leaves the floor clean.
But then I know they will soon come with the
frame. So it happens; and then I am in my frame
and am carried away to the great old Castle in the
Apennines, and hanged upon the wall in the State
banqueting-room; and after a while, I know not
how long, the old Duke comes to see, and is pleased
to approve. And my Maddalena comes, or rather
he leads her, stark dumb, and white as the ashes
that dried up the drops of her blood upon the floor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account