Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Then came much moving in of goods. And I
could gather this, but no more, from the conversation
of those who brought it in--that it was the
furniture of someone who was little loved, and only
spoken of as "he" or "_il Vecchiostro_"--that he
was gone on a journey, and much they cared how
soon he arrived at the end of it. The boy, who was
young and inquisitive, then asking whither this was
that he had gone, they told him with a laugh that
it was to his oldest friend, another like himself; to
whom he had given his whole soul, and who would
not care to part with him in a hurry. They hoped
he would have a cool bed to sleep in. And when the
boy hoped this too, they were very merry. But they
worked hard, and brought in a great mass of
furniture, which they stacked against the wall where I
was, so that I was quite hidden away. There
would be new fittings all through the castle now,
they said. But one said no--no! it would only be
in the _Vecchiostro's_ own private rooms. "'Tis done
that he should be soonest forgotten," said one of
them. But it was only just when they had brought
in the last of it that this same one said that if ever
he--this _Vecchiostro_--came back from Hell there
would be all his gear ready for him. And then I
saw this was some dead man's property that his
successor would have put out of his sight.
Then says my young boy to his father, who was
the man who had sworn at the key, why did they
not take the Signora's portrait down instead of
leaving it there, because everyone loved her; and
for his part, she kissed him once, and said he was
_carino_. Then says his father, what portrait?
And he answers, "In there--behind." For he had
peeped in round my frame thinking he knew me
again; being in fact the same that had helped to
get me down in the banqueting-hall, how long since
I could not say. But his father calls him a young
fool not to say so before it was too late; and as for
him, it was time for his supper and bed, and whoever
else liked the job might move all the chairs and
tables again to fish her ladyship out. And as all
were of one mind they laughed over this and went
noisily away. And the door was locked and I
heard no more. And the darkness was darker still
and the silence deeper. And I longed for the
_scaraffaggio_ to come and whirr once more, and for
the sweet light of the _lucciola_. But there was none
such for me. And my Maddalena must be surely
dead, I thought, else that young boy would tell her
I was here, and she would come to find the
picture Giacinto painted of her in that merry time.
But I waited for her voice in vain, and had nothing
for myself but the darkness and the silence.
Public-domain text, read in full here on John Shaqi.
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