Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
They each said "Rum!" and settled down to
chat again, after turning down the gas, which made
a beastly glare. Mr. Hughes had forgotten about
the three heads, though, and taken his fingers down.
He did, however, pursue the topic which claimed
his attention, having embarked upon it, and feeling
bound to conduct it to a close. He said something
to this effect, and we hope our report is fairly
accurate. He certainly appeared to say that
something, which could hardly have been anything,
grammatically, but the close to which he conducted
the topic, embodied the point which underlay the
whole of the extensive area which the Idea opened up
for development, and turned upon the indisputable
truth that the Highest Art--sculpture, music,
painting, poetry--is never intelligible to the
Vernacular Mind. How could any inference be more
incontestable than that no Art could rise above
mediocrity until a quorum of commonplace persons
should be found honestly incapable of attaching
any meaning to it? By making unintelligibility to
the banal mind a criterion of superiority in Art, we
established a Standard of Criticism, and eliminated
from consideration a wilderness of insipidity which
Mr. Hughes did not hesitate to call a nightmare.
For his part, he was so confident that the system
of Negative Juries, as they had been called, was
sounder than any appeal to popular applause that
he was quite willing that his own work should stand
or fall by the decision of the Commonplace
Intelligence as to which side up the picture should be
looked at. He would go that length, and take the
consequences. Let the Selection Committee of
their proposed Annual Exhibition consist entirely
of such Intelligences, and let the Hanging
Committee hang all the pictures they were unable to
make head or tail of, and such a galaxy of
productions of Genius would be accumulated every
year on their walls as the World had never before seen.
"Not work in practice?" said Mr. Hughes,
replying to a morose doubt of Mr. Aiken's. "Just
you redooce it to practice. Take the case that
your Jury guesses the subject of a picture. Out
it goes! Did you ever know that class able to
make head or tail of the subject of a work of Genius?
Gradual and infallible elimination, my boy--that's
the ticket!" The speaker, who, though perhaps
rather an idiot--only, mind you, he was subject
now and then to something almost like Inspiration--threw
himself back in his chair as though he had
exhausted the subject, and might rest.
"Don't b'lieve it would work," said Mr. Aiken,
sucking at his pipe. But he was evidently in a
temper this evening, and Mr. Hughes paid no
attention to his nonsense. However, it was no use
talking about the Idea to him until he was more
sympathetic. He would come right presently.
To cajole him into a better frame of mind,
Mr. Hughes began talking of something else. "Queer
sort of Studio, this of yours, Crocky," said he.
"What do you make out's queer about it,
Stumpy?" said Mr. Aiken.
Public-domain text, read in full here on John Shaqi.
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