Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
"It all connects with the fundamental root of
the Idea," Mr. Hughes continued. "No one would
be more repugnant than myself to any ramification
in the direction of Wardour Street ... you
understand me?..."
"Rather!" said Mr. Aiken. And he seemed to
do so. It is not necessary for the purposes of this
story to prove that either of these gentlemen
understood what they were talking about, or
anything else, but their conversation has a bearing on
their respective characters and their preoccupations
at this moment, which are part of it.
Mr. Hughes had mounted a rhetorical hobby, and
wished to have his ride. He rigged up three fingers
of his left hand, holding them in front of him to
check off three heads on, as soon as he should come
to that inevitable stage. He did not know what
they would be, but his instinctive faith made
nothing of that. They would be needed, all in
good time.
"I am not saying," he pursued, "that Wardour
Street, in its widest sense, has nothing to
recommend it. I am not saying that it makes no appeal.
I am not disputing its historical and ethical
standpoints ... you see what I mean?"
This was a concession to the difficulties that
await the orator who expects to round up his
sentences. Mr. Aiken interjected, to help this one
out of an embarrassment: "Couldn't be better put!
Let it go at that;" and knocked some ashes out of
his pipe.
Mr. Hughes was grateful, because he had had no
idea what to say next. His indebtedness, however,
had to be ignored; else, what became of Dignity?
An enlarged manner accepted a laurel or two due
to lucidity, as he continued: "But I do say this,
that, considered as a basis--perhaps I should say
a fulcrum--or shall I say as a working hypothesis of
the substratum or framework of the Idea?..." The
speaker hesitated.
"That's the safest way to put it," said Mr. Aiken,
but rather gloomily. He was re-lighting
his pipe.
"I think so," said Mr. Hughes judicially.
"Considered as ... what I said just now ... Wardour
Street is, to my thinkin', played out. Quite
distinctly played out.... What's that?"
"What's what?" The questions seemed to
refer to something heard and unheard, by each
speaker respectively. Mr. Aiken did not press for
an answer, but went to the door, persuading his
pipe to draw by the way. "Want anything,
Mrs. Parples?" said he, looking out. But no answer
came. "Mrs. P. is sleeping happily in the kitchen,"
said he, returning. "It wasn't her. It was an
effect of something."
"I suppose it was. Thought I heard it, too!"
Perhaps, if you ever chanced to hear a conversation
about nobody could exactly say what, you
noticed that nobody did say anything very exactly,
and everybody talked like these two gentlemen,
who certainly had heard something, but who
decided that they hadn't, because they couldn't
find out what it was. It was too slight to discuss.
Public-domain text, read in full here on John Shaqi.
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