Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Nothing of all this has any application in this
story, unless it attaches to the fact that Mr. Aiken
found some consolation in the company of his
friends, while his wife found none in that of her
acquaintances. As both parties were perfectly
blameless in the ordinary sense of the word--geese
are most blameless birds--none of the numerous
advantages of wickedness were secured by either.
Their interests in Belial never vested. Mrs. Aiken
never meant not to go back in the end, as soon as
she had made her husband knuckle down, and
confess up. And he was consciously keeping his
home unsullied by anything too Bohemian, in order
that when Euphemia came back--as of course she
would--no memory of the interregnum should clash
with the Restoration.
Euphemia had the worst of it; but then she was
the weaker party. If weaker parties take to
expecting the emoluments of stronger parties, what
shall we come to next? This feeling of the
unfairness of things in general and Destiny in
particular, tended towards exasperation and
intensification; and the South Cone--metaphors may be
fetched from any distance--remained up in the
districts of Coombe and Maiden. Time passed and
Mrs. Euphemia had perforce to endure the
commiseration of those districts.
The neighbourhood of Athabasca Villa might be
classed as a congested district, and its population
as consisting, broadly speaking, of good souls and
busy bodies. Every resident was both, be it
understood.
"Oh yes!" said Euphemia to her aunt, one
breakfast-time. "Of course the Groobs are goodness
itself. But why can't they mind their own
business?" For although it may appear incredible, a
family residing in the neighbourhood was actually
named Groob.
"My dear," said Miss Priscilla, "do not be
unreasonable and violent. Mr. Latimer Groob is, I
understand, a wine-importer in quite a large way of
business, with more than one retail establishment;
and his son, Mr. Adolphus Groob, has, I am told,
talent. He has had several pictures on the line,
somewhere, and comes down to see his family on
Saturdays, and to stop till Monday."
"Well, then!" said Euphemia. "It wasn't the
Peter Dudburys this time. At least, it needn't have
been, for anything I can see."
"Why not? ... Do take care of the tablecloth!
Anne has put one of the best out by mistake. I
must speak to her.... Why not the Peter Dudburys
this time?"
"I am not cutting the cloth. The knife is miles
off. Why not the Peter Dudburys? Why,
because I know that odious little Dolly Groob. He's a
friend of Reginald's, and comes to the Studio. I
can _see_. I'm not a baby. Of course, Reginald has
been talking to him." Mrs. Euphemia bit her lips,
and was under the impression that her eyes flashed.
But they didn't really--eyes never do; it's a _façon
de parler_.
Public-domain text, read in full here on John Shaqi.
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