Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Now, there were two Fine Arts to which this
master, Mr. Reginald Aiken, devoted himself. One,
the production of original compositions; which did
not pay, owing to their date. Some of these days
they would be worth a pot of money--you see if
they wouldn't! The other Fine Art was that of
the picture-restorer, and did pay. At any rate, it
paid enough to keep Mr. Aiken and his wife--and at
this particular moment Sairah--in provisions cooked
and quarrelled over at the street-door by the latter;
leaving Mrs. Aiken's hundred a year, which her
Aunt Priscilla allowed her, to pay the rent and so
on, with a good margin for cabs and such-like.
Anyhow, as the lady of the house helped _with_ the
house, the Aikens managed, somehow. Or perhaps
it should be said that, somehow, the Aikens managed
anyhow. Mrs. Verity, their landlady, had her
opinions about this.
This, however, is by the way; but, arising as it
does from this Artist's twofold mission in life, it
connects itself with a regrettable occurrence which
came about in consequence of Sairah's not
confining herself to tidying up, and getting things a bit
straight, but seizing the opportunity to do a little
dusting also.
Those on whom the guardianship of a picture
recently varnished has fallen know the assiduous
devotion with which it must be watched to protect
it from insect-life and flue. Even the larger
lepidoptera may fail to detach themselves from a fat,
slow-drying varnish, without assistance; and who
does not know how terribly the delicate organization
of beetles' legs may suffer if complicated with
treacle or other glutinous material. But beetles'
legs may be removed with care from varnish, and
leave no trace of their presence, provided the
varnish is not too dry. Flue, on the other hand,
at any stage of desiccation, spells ruin, and is that
nasty and messy there's no doing anything with it;
and you may just worrit yourself mad, and sticky
yourself all over, and only make matters worse than
you began. So you may just as well let be, and not
be took off your work no longer; nursing, however,
an intention of saying well now!--you declare, who
ever could have done that, and not a livin' soul come
anigh the place, you having been close to the whole
time, and never hardly took your eyes off?
That sketches the line of defence Sairah was
constrained to adopt, after what certainly was at least
a culpable error of judgment. She should not have
wiped over any picture at all, not even with the
cleanest of dusters. And though the one she used
was the one she kep' for the Studio, nothing
warranted its application to the Italian half-length that
had been entrusted to Mr. Aiken by Sir Stopleigh
Upwell, to clean and varnish carefully, and touch
up the frame, without destroying the antique feeling
of the latter.
Public-domain text, read in full here on John Shaqi.
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