Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
"Very bald feller! He ought to use petrol.
You have to rub it in and keep out of the way of
artificial light. This chap's first cousin lost the
use of both legs through investigatin'. It was
X-rays, I believe. You may depend on it we've
got a deal to learn." And so on.
Upon the honour of the narrative this sample is
a fair one of what passed between this lady and
gentleman on this occasion. There was more, but
it was exactly the same sort.
In due course the lecture was begun and ended;
then the discussion followed, and Mrs. Godfrey
Pybus and her six daughters didn't stop to hear
Miss Volumnia Bax's analysis and refutation, but
went away in the middle and made a noise on
purpose. It was just like them, and they were
perfectly odious people.
It is most extraordinary how Time will slip away
when the catching hold of his forelock depends on
ourselves. Each morning may bring that forelock
again within reach, and each morning the same
apathy that made us yesterday too languid to stretch
out a hand and grip the old scamp and employ him
for our own advantage keeps us in the same stupid
abeyance, and we lose the chance for another
twenty-four hours. Every postponement makes
a new precedent, and every new precedent stiffens
the back of inaction.
It was so with Mr. and Mrs. Reginald Aiken.
Not a morning passed without an unfulfilled
impulse on either part to cross the gulf between them,
and terminate their idiotic separation, bridged by
correspondence which really did more harm than
good. There is one precept which it is quite
impossible for the human race to observe too
closely--_Never write letters_! If only those words could
replace Little Liver Pills and so forth on those
atrocities that flank the railways and hide the
planet, its inhabitants would be the gainers.
Mr. Reginald had an extraordinary faculty for undoing
in a postscript any little concession he had made at
the outset, and Mrs. Euphemia, for her part, was
becoming quite a proficient in sarcasm--three-line
whips of scorpions describes her style, or the
style she aimed at. For a superficial literary
education did not help her up to its perfection.
Public-domain text, read in full here on John Shaqi.
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