For the whole of this poem, in the form of a dialogue between Cormac and Columcille, see p. 264 of Reeves' "Adamnan." It is very hard to say how much or how little of these poems is really Columcille's. Colgan was inclined to think them genuine. Of course, as we now have them, the language is greatly modernised; but I am inclined to agree with Dr. Healy, who judges them rather from internal than from linguistic evidence; and while granting, of course, that they have been retouched by later bards, adds, "but in our opinion they represent substantially poems that were really written by the saint. They breathe his pious spirit, his ardent love for nature, and his undying affection for his native land. Although retouched, perhaps, by a later hand, they savour so strongly of the true Columbian spirit that we are disposed to reckon them amongst the genuine compositions of the saint." ("Ireland's Schools and Scholars," p. 329.) "The older pieces here preserved," says Dr. Robert Atkinson in his preface to the contents of the _facsimile_ of the Book of Leinster, "_and of whose genuineness and authenticity there seems no room for doubt, ex. gr., the Poems of Colum Cille_, bear with them the marks of the action of successive transcribers, whose desire to render them intelligible has obscured the linguistic proofs of their age." [9] Literally, "How happy the son of Dima of the devout church, when he hears in Durrow the desire of his mind, the sound of the wind against the elms when 'tis played, the blackbird's joyous note when he claps his wings; to listen at early dawn in Rosgrencha to the cattle, the cooing of the cuckoo from the tree on the brink of summer," etc. (_See_ Reeves' "Adamnan," p. 274). "Fuaim na goithi ris in leman ardos peti Longaire luin duibh conati ar mben a eti." [10] He himself refers to his "grey eye looking back to Erin" in one of his best-known poems. [11] In token of which is the Irish quatrain quoted in his life-- "Son a ghotha Coluim cille, mór a binne os gach cléir go ceann cúig ceád déag céimeann, Aídhbhle réimeann, eadh ba réill." [12] "So then Baithine related to him the famous vision, to wit, three chairs seen by him in heaven, even a chair of gold and a chair of silver and a chair of glass. Columcille explained the vision. Ciaran the Great, the carpenter's son, is the chair of gold for the greatness of his charity and his mercy. Molaisse is the chair of silver because of his wisdom and his piety. I myself am the chair of glass because of my affection, for I prefer the Gaels to the men of the world, and Kinel Conall [his own tribe] to the [other] Gaels, and the kindred of Lughid to the Kinel Conall." (Leabhar Breac, quoted by Stokes, "Irish Lives," p. 303; but the reason here given for being seated on a chair of glass is, as Stokes remarks, unmeaning.)