A Literary History of the ArabsNicholson, Reynold Alleyne
History
A Literary History of the Arabs
Nicholson, Reynold Alleyne
Arabic literature -- History and criticism
Pre-Islamic poetry was the natural expression of nomad life. We might
therefore have expected that the new conditions and ideas introduced by
Islam would rapidly work a corresponding revolution in the poetical
literature of the following century. Such, however, was far from being
the case. The Umayyad poets clung tenaciously to the great models of the
Heroic Age and even took credit for their skilful imitation of the
antique odes. The early Muḥammadan critics, who were philologists by
profession, held fast to the principle that Poetry in Pre-islamic times
had reached a perfection which no modern bard could hope to emulate, and
which only the lost ideals of chivalry could inspire.[517] To have been
born after Islam was in itself a proof of poetical inferiority.[518]
Linguistic considerations, of course, entered largely into this
prejudice. The old poems were studied as repositories of the pure
classical tongue and were estimated mainly from a grammarian's
standpoint.
[Sidenote: Abú Nuwás as a critic.]
These ideas gained wide acceptance in literary circles and gradually
biassed the popular taste to such an extent that learned pedants could
boast, like Khalíl b. Ahmad, the inventor of Arabic prosody, that it lay
in their power to make or mar the reputation of a rising poet as they
deemed fit. Originality being condemned in advance, those who desired
the approval of this self-constituted Academy were obliged to waste
their time and talents upon elaborate reproduction of the ancient
masterpieces, and to entertain courtiers and citizens with borrowed
pictures of Bedouin life in which neither they nor their audience took
the slightest interest. Some, it is true, recognised the absurdity of
the thing. Abú Nuwás († _circa_ 810 A.D.) often ridicules the custom, to
which reference has been made elsewhere, of apostrophising the deserted
encampment (_aṭlál_ or _ṭulúl_) in the opening lines of an ode,
and pours contempt on the fashionable glorification of antiquity. In the
passage translated below he gives a description of the desert and its
people which recalls some of Dr. Johnson's sallies at the expense of
Scotland and Scotsmen:--
"Let the south-wind moisten with rain the desolate scene
And Time efface what once was so fresh and green!
Make the camel-rider free of a desert space
Where high-bred camels trot with unwearied pace;
Where only mimosas and thistles flourish, and where,
For hunting, wolves and hyenas are nowise rare!
Amongst the Bedouins seek not enjoyment out:
What do they enjoy? They live in hunger and drought.
Let them drink their bowls of milk and leave them alone,
To whom life's finer pleasures are all unknown."[519]
Public-domain text, read in full here on John Shaqi.
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