A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
It will finally be noticed that the subject of this epic, the oldest in
France, is a defeat, thus showing, even in that far-distant age, what
the heroic ideal of the nation was to be, that is, not so much to
triumph as to die well. She will never lay down her arms merely because
she is beaten; she will only lay them down when enough of her sons have
perished. Even when victory becomes impossible, the nation, however
resigned to the inevitable, still fights for honour. Such as we see her
in the Song of Roland, such she appears in Froissart, and such she has
ever shown herself: "For never was the realm of France so broken, but
that some one to fight against could be found there."[172]
The conquerors of England are complete men; they are not only valiant,
they are learned; they not only take interest in the immediate past of
their own race; they are also interested in the distant past of other
civilised nations; they make their poets tell them of the heroes of
Greece and Rome, and immense metrical works are devoted to these
personages, which will beguile the time and drive ennui away from
castle-halls. These poems form a whole cycle; Alexander is the centre of
it, as Charlemagne is of the cycle of France, and Arthur of the cycle of
Britain.
The poets who write about these famous warriors endeavour to satisfy at
once the contradictory tastes of their patrons for marvels and for
truth. Their works are a collection of attested prodigies. They are
unanimous in putting aside Homer's story, which does not contain enough
miracles to please them, and, being in consequence little disposed to
leniency, they reject the whole of it as apocryphal. I confess, says one
of them, that Homer was a "marvellous clerk," but his tales must not be
believed: "For well we know, past any doubt, that he was born more than
a hundred years after the great host was gathered together."[173]
But the worst forger of Alexandria obtains the confidence of our poets;
they read with admiration in old manuscripts a journal of the siege of
Troy, and the old manuscripts declare the author of this valuable
document to be Dares the Phrygian. The work has its counterpart executed
in the Grecian camp by Dictys of Crete. No doubt crosses their mind;
here is authenticity and truth, here are documents to be trusted; and
how interesting they are, how curious! the very journal of an
eye-witness; truth and wonder made into one.
Public-domain text, read in full here on John Shaqi.
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