A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
[557] It has been said, but without sufficient cause, that this
friendship came to an end some time before the death of Chaucer.
[558]
He in the waast is shape as wel as I.
(Prologue to Sir Thopas.)
[559] To be seen (1894) under glass in the Chapter House.
[560] "Hoccleve's Works," ed. Furnivall, E.E.T.S., 1892, vol. i. p. xxi.
[561] One ab. 1478, the other ab. 1484; this last is illustrated. See in
"English Novel in the time of Shakespeare," p. 45, a facsimile of the
woodcut representing the pilgrims seated at the table of the Tabard inn.
[562] "Animadversions uppon the Annotacions and corrections of some
imperfections of impressiones of Chaucers workes...." by Francis Thynne,
ed. Furnivall and Kingsley, Chaucer Society, 1876, p. xiv.
[563] _Ibid._
[564] "Shepheard's Calender," December.
[565] "Of whom, truly I know not, whether to mervaile more, either that
he in that mistie time could see so clearly, or that wee in this cleare
age walke so stumblingly after him." "Apologie for Poetrie," ed. Arber,
p. 62.
[566] The subject of Chaucer's fame is treated at great length in
Lounsbury's "Studies in Chaucer, his life and writings," London, 1892, 3
vols. 8vo, vol. iii. ch. vii., "Chaucer in Literary History."
[567] The Chaucer Society, founded by Dr. Furnivall, which has published
among other things, the "Six-text edition of the Canterbury Tales"; some
"Life Records of Chaucer"; various "Essays" on questions concerning the
poet's works; a collection of "Originals and Analogues" illustrative of
the "Canterbury Tales," &c. Among modern tributes paid to Chaucer may be
added Wordsworth's modernisation of part of "Troilus" (John Morley's
ed., p. 165), and Lowell's admirable essay in his "Study Windows."
CHAPTER III.
_THE GROUP OF POETS._
The nation was young, virile, and productive. Around Chaucer was a whole
swarm of poets; he towers above them as an oak towers above a coppice;
but the oak is not isolated like the great trees that are sometimes seen
beneath the sun, alone in the midst of an open country. Chaucer is
without peer but not without companions; and, among those companions,
one at least deserves to be ranked very near him.
He has companions of all kinds, nearly as diverse as those with whom he
had associated on the road to Canterbury. Some are continuators of the
old style, and others are reformers; some there are, filled with the
dreamy spirit of the Anglo-Saxons; there are others who care little for
dreams and theories, who are of the world, and will not leave the earth;
some who sing, others who hum, others who talk. Certain poems are like
clarions, and celebrate the battle of Crecy, of which Chaucer had not
spoken; others resemble lovers' serenades; others a dirge for the dead.
I.
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