A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
The turning of it into a drama took place a few years later. Nothing was
easier; this fabliau, like many others, was nearly all in dialogues; to
make a play of it, the jongleur had but to suppress some few lines of
narrative; we thus have a drama, in rudimentary shape, where a deep
study of human feelings must not be sought for.[755] Here is the
conversation between the young man and the young maid when they meet:
_Clericus._ Damishel, reste wel.
_Puella._ Sir, welcum, by Saynt Michel!
_Clericus._ Wer esty (is thy) sire, wer esty dame?
_Puella._ By Gode, es noner her at hame.
_Clericus._ Wel wor suile (such) a man to life
That suile a may (maid) mihte have to wyfe!
_Puella._ Do way, by Crist and Leonard....
Go forth thi way, god sire,
For her hastu losye al thi wile.
After some more supplications, the clerk, who is a student at the
University, goes to old Helwis (Siriz in the prose tale) and then the
author, more accustomed, it seems, to such persons than to the company
of young maidens, describes with some art the hypocrisy of the matron.
Helwis will not; she leads a holy life, and what is asked of her will
disturb her from her pious observances. Her dignified scruples are
removed at length by the plain offer of a reward.
In this way, some time before Chaucer's birth, the lay drama came into
existence in Shakespeare's country.
Other stories of the same sort were also turned into plays; we have none
of them, but we know that they existed. An Englishman of the fourteenth
century calls the performance of them "pleyinge of japis,"[756] by
opposition to the performance of religious dramas.
Other amusements again, of a strange kind, helped in the same early
period to the formation of the drama. A particularly keen pleasure was
afforded during the Middle Ages by songs, dances, and carols, when
performed in consecrated places, such as cemeteries, cloisters,
churches. A preference for such places may seem scarcely credible; still
it cannot be doubted, and is besides easily explainable. To the
unbridled instincts of men as yet half tamed, the Church had opposed
rigorous prescriptions which were enforced wholesale. To resist
excessive independence, excessive severity was needful; buttresses had
to be raised equal in strength to the weight of the wall. But from time
to time a cleft was formed, and the loosened passions burst forth with
violence. Escaped from the bondage of discipline, men found
inexpressible delight in violating all prohibitions at once; the day
for the beast had come, and it challenged the angel in its turn.
Public-domain text, read in full here on John Shaqi.
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