A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
The machinery became more and more complicated toward the time of the
Renaissance; but much money was needed, and for long the Court or the
municipalities could alone use them. In England fixed or movable scenery
reaches great perfection at Court: Inigo Jones shows a genius in
arranging elegant decorations; some of his sketches have been
preserved.[799] But such splendid inventions were too costly to be
transferred to the stages for which Shakespeare wrote; and he never used
any other magic but that of his poetry. Inigo Jones had fine
scene-shiftings with the help of his machinists, and Shakespeare with
the help of his verses; these last have this advantage, that they have
not faded, and can still be seen.
III.
Whatever may be thought of so much simplicity, childishness, or
barbarity of those ivy-clad ruins, the forms of which can scarcely be
discerned, they must be subjected to a closer inspection; and if there
were no other, this one consideration would be enough to incline us to
it: while in the theatre of Bacchus the tragedies of Sophocles were
played once and no more, the Christian drama, remodelled from century to
century, was represented for four hundred years before immense
multitudes; and this is a unique phenomenon in the history of
literature.
The fact may be ascribed to several causes, some of which have already
been pointed out. The desire to see was extremely keen, and there was
seen all that could be wished: the unattainable, the unperceivable,
miracles, the king's Court, earthly paradise, all that had been heard of
or dreamt about. Means of realisation were rude, but the public held
them satisfactory.
What feasts were in the year, sacraments were in the existence of men;
they marked the great memorable stages of life. A complete net of
observances and religious obligations surrounded the months and seasons;
bells never remained long silent; they rang less discreetly than now,
and were not afraid to disturb conversations by their noise. At each
period of the day they recalled that there were prayers to say, and to
those even who did not pray they recalled the importance of religion.
Existences were thus impregnated with religion; and religion was in its
entirety explained, made accessible and visible, in the Mysteries.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account