A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
The verses spoken by the actors did not much resemble those in
Shakespeare; they were, in most cases, mere tattle, scarcely verses;
rhyme and alliteration were sometimes used both together, and both
anyhow. And yet the emotion was deep; in the state of mind with which
the spectators came, nothing would have prevented their being touched by
the affecting scenes, neither the lame verse nor the clumsy machinery;
the cause of the emotion was the subject, and not the manner in which
the subject was represented. All the past of humanity and its eternal
future were at stake; players, therefore, were sometimes interrupted by
the passionate exclamations of the crowd. At a drama lately represented
on the stage of the Comedie Francaise, one of the audience astonished
his neighbours by crying: "Mais signe donc! Est-elle bete!..." In the
open air of the public place, at a time when manners were less polished,
many such interjections interrupted the performance; many insulting
apostrophes were addressed to Eve when she listened to the serpent; and
the serpent spoke (in the Norman drama of "Adam") a language easy to
understand, the language of everyday life:
"_Diabolus._--I saw Adam; he is an ass."
"_Eva._--He is a little hard."
"_Diabolus._--We shall melt him; but at present he is harder than iron."
But thou, Eve, thou art a superior being, a delicate one, a delight for
the eyes. "Thou art a little tender thing, fresher than the rose, whiter
than crystal, or snow falling on the ice in a dale. The Creator has
badly matched the couple; thou art too sweet; man is too hard.... For
which it is very pleasant to draw close to thee. Let me have a talk with
thee."[800]
And for such cajolery, for such folly, thought the crowd, for this sin
of our common mother, we sweat and we suffer, we observe Lent, we
experience temptations, and under our feet this awful hell-mouth opens,
in which, maybe, we shall some day fall. Eve, turn away from the
serpent!
Greater even was the emotion caused by the drama of the Passion, the
sufferings of the Redeemer, all the details of which were familiar to
everybody. The indignation was so keen that the executioners had
difficulty sometimes in escaping the fury of the multitude.
Public-domain text, read in full here on John Shaqi.
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