“Manna was not good
After sun-rising; far-day sullies flowers.”
He was hospitable on a limited income.[23] His verses of invitation
_To his Retired Friend_, which are not without their thrusts at
passing events, have a classic jollity fit to remind the reader of
Randolph’s ringing ode to Master Anthony Stafford. Again and again
Vaughan reiterates the Socratic and Horatian song of content: that he
has enough lands and money, that there are a thousand things he does
not want, that he is blessed in what he has. All this does not prevent
him from recording the phenomenal ebb-tides of his purse, and from
whimsically synthesizing on “the threadbare, goldless genealogie” of
bards! No sour zealot in anything, he enjoyed an evening now and then
at the Globe Tavern in London, where he consumed his sack with relish,
that he might be “possessor of more soul,” and “after full cups have
dreams poetical.” But he was no lover of the town. Country life was
his joy and pride; the only thing which seemed, in his own most vivid
phrase, to “fill his breast with home.”
“Here something still like Eden looks!
Honey in woods, juleps in brooks.”
A literary acquaintance, one unrecognized N. W., congratulates
Vaughan that he is able to “give his Muse the swing in an hereditary
shade.” He translated with great gusto _The Old Man of Verona_, out
of Claudian, and Guevara’s _Happiness of Country Life_; and he notes
with satisfaction that Abraham was of his rural mind, in “Mamre’s holy
grove.” Vaughan was an angler, need it be added? Nay, the autocrat of
anglers: he was a salmon-catcher.
With “the charity which thinketh no evil,” he loved almost everything,
except the Jesuits, and his ogres the Puritans. For Vaughan knew where
he stood, and his opinion of Puritanism never varied. He kept his
snarls and satires, for the most part, hedged within his prose, the
proper ground of the animosities. When he put on his singing-robes, he
tried to forget, not always with success, his spites and bigotries.
For his life, he could not help sidelong glances, stings, strictures
between his teeth, thistle-down hints cast abroad in the neatest of
generalities:
“Who saint themselves, they are no saints!”
Public-domain text, read in full here on John Shaqi.
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