he made, according to stage directions, a fierce lunge at his too
conciliatory foe. Guyomar had armed himself, inadvertently, with
a genuine sword, and Vasquez came near enough to being killed in
the flesh. The man eventually recovered; but it shows of what
impressionable stuff Farquhar was made, that his mental horror
and pain, during that moment while he believed he had slain a
fellow-creature, should have turned the course of his life. He left the
stage; nor would he return to it. Some eight years after, indeed, he
visited Dublin again, and on the old boards played Sir Harry Wildair
for his own benefit; but this was at a time when he forced himself to
undertake all honorable chances of money-making, out of his consuming
anxiety for his family.
Wilkes and his wife returned to London, and the lad Farquhar went with
them. He obtained a commission in the army from the Earl of Orrery;
he was in Holland on duty during a part of the year 1700, and came
back to England with one of her earliest military red coats on his
back, in the train of his much-approved sovereign, William III. He
had already written, thanks to Wilkes and his incessant urging, his
first two plays, and had seen them successful at Drury Lane;[38] he
had also overheard with enthusiasm, at the Mitre Tavern in St. James’s
Market, Mistress Nance Oldfield, an orphan of sixteen, niece of the
proprietress, reading _The Scornful Lady_ behind the bar. Captain
Vanbrugh was duly told of Farquhar’s delight and admiration, and on
the strength of them introduced the girl to Rich, who did few things
so good in his lifetime as when he put her upon the stage at fifteen
shillings a week. It was not long before this distinguished actress
and generous woman, destined to lend her gayety and beautiful bearing
to the interpretation of Farquhar’s women, enlivened the town as the
glorious Sylvia of _The Recruiting Officer_, who can “gallop all the
morning after a hunting-horn, and all the evening after a fiddle.”
“We hear of Farquhar at one time,” says Leigh Hunt, in a pretty
summary, “in Essex, hare-hunting (not in the style of a proficient);
at another, at Richmond, sick; and at a third, in Shropshire on a
recruiting party, where he was treated with great hospitality, and
found material for one of the best of his plays.”
Public-domain text, read in full here on John Shaqi.
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