Bildungsromans; First loves -- Juvenile fiction; Saint Louis (Mo.) -- History -- Juvenile fiction
“No one knows whether he is rich or not. He trades a little with the
Indians and the boats going up and down the river.”
The shrill summons to breakfast reached them.
They went in, the child holding tightly to Gaspard’s hand. It seemed as
if her grandfather looked more forbidding now than he had last night. He
was both sulky and surly, but the viands were appetizing, and this
morning Renée felt hungry. Gaspard was glad to see her eat. The old man
still eyed her furtively.
“Well?” he interrogated, as they rose from the table, looking meaningly
at Gaspard.
“We are going in the town, the child and I,” Gaspard replied briefly.
Antoine nodded.
Oh, what a morning it was! The air seemed fairly drenched with the new
growth of everything; the tints were indescribable. Some shrubs and
flowers had begun to bloom. Renée had seen so much that was cold and
bleak, trees leafless and apparently lifeless amid the almost black
green of hemlocks and firs. Streams and pools frozen over, and a
coldness that seemed to penetrate one’s very soul. At Detroit it had
softened a little and all along the journey since then were heralds of
warmth and beauty. The child, too, expanded in it, and the changes in
her face interested Gaspard intently. He was a great lover of nature
himself.
Early St. Louis was all astir. From the bustle, the sound of voices, the
gesticulation, and running to and fro, it appeared as if there might be
thousands of people instead of six or seven hundred. Everything looked
merry, everybody was busy. There was a line of boats coming, others
already at the primitive landings, Indians and trappers in picturesque
attire, gay feathers and red sashes; fringes down the sides of their
long leggings and the top of their moccasins. Traders were there, too,
sturdy brown-faced Frenchmen, many of whom had taken a tour or two up in
the North Country themselves, and had the weather-beaten look that comes
of much living out of doors. Children ran about, black-eyed,
rosy-cheeked, shrill of voice. Small Indians, with their grave faces and
straight black hair, and here and there a squaw with her papoose
strapped to her back.
Gaspard Denys paused a moment to study them. He really had an artist’s
soul; these pictures always appealed to him.
They came in the old Rue Royale, skirting the river a short distance,
then turned up to the Rue d’Eglise. Here was a low stone house, rather
squat, the roof not having a high peak. A wide garden space, with fruit
trees and young vegetables, some just peeping up from brown beds and a
great space in front where grass might have grown if little feet had not
trodden it so persistently. A broad porch had a straw-thatched roof, and
here already a young girl sat spinning, while several children were
playing about.
“Lisa! Lisa!” called the girl, rising. “Ah, Monsieur Denys, we are very
glad to see you. You have been absent a long while. You missed the
merry-making and—and we missed you,” blushing.
Public-domain text, read in full here on John Shaqi.
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