A Little Journey in the WorldWarner, Charles Dudley
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A Little Journey in the World
Warner, Charles Dudley
American fiction -- 19th century
The lawn party was not at all dull to Margaret. In the first place, she
received a great deal of attention. Henderson's name was becoming
very well known, and it was natural that the splendor of his advancing
fortune should be reflected in the person of his young wife, whose
loveliness was enhanced by her simple enjoyment of the passing hour.
Then the toilets of the women were so fresh and charming, the colors
grouped so prettily on the greensward, the figures of the slender girls
playing at tennis or lounging on the benches under the trees, recalled
scenes from the classic poets. It was all so rich and refined. Nor
did she miss the men of military age, whose absence Mrs. Laflamme had
deplored, for she thought of her husband. And, besides, she found even
the college boys (who are always spoken of as men) amusing, and
the elderly gentlemen--upon whom watering-place society throws much
responsibility--gallant, facetious, complimentary, and active in
whatever was afoot. Their boyishness, indeed, contrasted with--the
gravity of the undergraduates, who took themselves very seriously, were
civil to the young ladies,--confidential with the married women, and
had generally a certain reserve and dignity which belong to persons upon
whom such heavy responsibility rests.
There were, to be sure, men who looked bored, and women who were
listless, missing the stimulus of any personal interest; but the scene
was so animated, the weather so propitious, that, on the whole, a person
must be very cynical not to find the occasion delightful.
There was a young novelist present whose first story, “The Girl I Left
Behind Me,” had made a hit the last season. It was thought to take a
profound hold upon life, because it was a book that could not be read
aloud in a mixed company. Margaret was very much interested in him,
although Mr. Summers Bass was not her idea of an imaginative writer. He
was a stout young gentleman, with very black hair and small black eyes,
to which it was difficult to give a melancholy cast even by an habitual
frown. Mr. Bass dressed himself scrupulously in the fashion, was very
exact in his pronunciation, careful about his manner, and had the air of
a little weariness, of the responsibility of one looking at life. It was
only at rare moments that his face expressed intensity of feeling.
“It is a very pretty scene. I suppose, Mr. Bass, that you are making
studies,” said Margaret, by way of opening a conversation.
“No; hardly that. One must always observe. It gets to be a habit. The
thing is to see reality under appearances.”
“Then you would call yourself a realist?”
Mr. Bass smiled. “That is a slang term, Mrs. Henderson. What you want is
nature, color, passion--to pierce the artificialities.”
“But you must describe appearance.”
“Certainly, to an extent--form, action, talk as it is, even
trivialities--especially the trivialities, for life is made up of the
trivial.”
“But suppose that does not interest me?”
Public-domain text, read in full here on John Shaqi.
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