A Little Journey in the WorldWarner, Charles Dudley
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A Little Journey in the World
Warner, Charles Dudley
American fiction -- 19th century
“Pardon me, Mrs. Henderson, that is because you are used to the
conventional, the selected. Nature is always interesting.”
“I do not find it so.”
“No? Nature has been covered up; it has been idealized. Look yonder,”
and Mr. Bass pointed across the lawn. “See that young woman upon whom
the sunlight falls standing waiting her turn. See the quivering of the
eyelids, the heaving of the chest, the opening lips; note the curve of
her waist from the shoulder, and the line rounding into the fall of the
folds of the Austrian cashmere. I try to saturate myself with that form,
to impress myself with her every attitude and gesture, her color, her
movement, and then I shall imagine the form under the influence of
passion. Every detail will tell. I do not find unimportant the tie of
her shoe. The picture will be life.”
“But suppose, Mr. Bass, when you come to speak with her, you find that
she has no ideas, and talks slang.”
“All the better. It shows what we are, what our society is. And besides,
Mrs. Henderson, nearly everybody has the capacity of being wicked; that
is to say, of expressing emotion.”
“You take a gloomy view, Mr. Bass.”
“I take no view, Mrs. Henderson. My ambition is to record. It will not
help matters by pretending that people are better than they are.”
“Well, Mr. Bass, you may be quite right, but I am not going to let you
spoil my enjoyment of this lovely scene,” said Margaret, moving away.
Mr. Bass watched her until she disappeared, and then entered in his
notebook a phrase for future use, “The prosperous propriety of a pretty
plutocrat.” He was gathering materials for his forthcoming book, “The
Last Sigh of the Prude.”
The whole world knows how delightful Lenox is. It even has a club where
the men can take refuge from the exactions of society, as in the city.
The town is old enough to have “histories”; there is a romance
attached to nearly every estate, a tragedy of beauty, and money, and
disappointment; great writers have lived here, families whose names were
connected with our early politics and diplomacy; there is a tradition of
a society of wit and letters, of women whose charms were enhanced by a
spice of adventure, of men whose social brilliancy ended in misanthropy.
All this gave a background of distinction to the present gayety, luxury,
and adaptation of the unsurpassed loveliness of nature to the refined
fashion of the age.
Public-domain text, read in full here on John Shaqi.
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