I remember that it came upon me with a sort of surprise at the moment that we had never thought or spoken much of Margaret Debree as beautiful. We were so accustomed to her; we had known her so long, we had known her always. We had never analyzed our admiration of her. She had so many qualities that are better than beauty that we had not credited her with the more obvious attraction. And perhaps she had just become visibly beautiful. It may be that there is an instant in a girl's life corresponding to what the Puritans called conversion in the soul, when the physical qualities, long maturing, suddenly glow in an effect which we call beauty. It cannot be that women do not have a consciousness of it, perhaps of the instant of its advent. I remember when I was a child that I used to think that a stick of peppermint candy must burn with a consciousness of its own deliciousness. Margaret was just turned twenty. As she paused there in the doorway her physical perfection flashed upon me for the first time. Of course I do not mean perfection, for perfection has no promise in it, rather the sad note of limit, and presently recession. In the rounded, exquisite lines of her figure there was the promise of that ineffable fullness and delicacy of womanhood which all the world raves about and destroys and mourns. It is not fulfilled always in the most beautiful, and perhaps never except to the woman who loves passionately, and believes she is loved with a devotion that exalts her body and soul above every other human being.